it was broken—and there was no way into this hulk of a building—when I pressed the button a third time.
Then I heard a metallic voice: “Keep your shirt on, keep your shirt on. What are you, dying or something?”
The voice sounded … Jewish? Were there still Jews left in Newark? I thought they all left a half-century ago. I couldn’t even tell where the sound was coming from. My head swiveled in every direction.
“Over here, over here,” the voice said.
This time I was able to place it as coming from the camera, which had a small speaker.
“Oh, hi,” I said, feeling weird because, to anyone who walked by, it looked like I was talking to a wall.
“You just gonna stand there all day, looking like a putz? What do you want?”
“I’m … I’m the guy Tee sent.”
More faintly, like he didn’t know I could still hear him, the voice asked, “What did he say?” Then another guy—who also sounded like an older Jewish man—replied, “He said he was the guy Tee sent. The boots. The boots.”
“Oh, yeah,” the voice said, returning to its previous volume. “You here about the boots?”
“That’s right.”
“Why didn’t you say so? You think I’m a mind reader or something? Hang on, hang on.”
I waited another moment, until the door was opened by a granite block of a black man who, I assumed, was not the owner of the voice I heard on the speaker. I followed him down an unadorned, windowless hallway until we reached another door, where he punched in a numeric code.
The door opened, and suddenly I felt like I was in a chaotic, mismatched Macy’s. It was a large, open space filled with merchandise, loosely organized by category: luggage to the immediate left, cookery and housewares straight on, hardware beyond that, clothing and footwear to the right, electronics in the back left. The only thing missing was the perfume section.
“What … what is all this?” I asked, but my granite-block guide was not a talker.
I heard a pleasant dinging sound and turned to see two men appearing out of a freight elevator. The first had on yellow-tinted glasses, a dark yellow shirt with the top three buttons undone, light yellow slacks, and white slip-on shoes that reminded me of something a nurse would have worn forty years ago. His saggy skin was deeply tanned, even though it was March. His jewelry—a necklace, multiple bracelets, and rings on several digits, including both pinkies—was all yellow gold. His hair, what little of it there was, had been dyed blond and was gelled back. He looked like a wrinkled human banana and walked like the only rooster in a hen house.
The second man was slump-shouldered and appropriately pale for the season. He wore light gray pants and a blue cardigan sweater over a white oxford shirt, which was buttoned all the way to the top. He had no jewelry. His hair was its natural gray. He walked like a man who had lost every bet he ever placed.
The man in yellow said, “I’m Bernie. Everyone calls me Uncle Bernie. This is my brother Gene. Which one of us do you think is older?”
Both guys were at least seventy, though it was hard to tell beyond that. Either one of them could have been 138 for all I knew. If he had asked me who was older, him or Methuselah, I still wouldn’t have been able to answer.
“I have … I have no idea,” I said.
“Come on, guess.”
“He’s older,” I said, pointing at Gene, if only because I could tell that was what Uncle Bernie wanted to hear.
“See? That’s what everyone thinks, Gene! You look like a shlamazel. You’re not gonna get any tail at the bar dressing like that.”
I suspected both of these guys were a bit beyond their bar-cruising years—unless you were talking about the salad bar at an assisted living facility—but I at least appreciated his spirit.
“Anyhow, I know you didn’t come here to admire my good looks,” he said. “C’mon. Let’s go.”
* * *
Uncle Bernie led me through some racks of
Joe Bruno
G. Corin
Ellen Marie Wiseman
R.L. Stine
Matt Windman
Tim Stead
Ann Cory
Tim Lahaye, Jerry B. Jenkins
Michael Clary
Amanda Stevens