impatient. âI wondered if youâd look at some land for us,â he says. âI want to know if itâs possible that a body was buried there.â
âAre we talking about the pilot? I heard about it on
Look East.â
âYes,â says Nelson. He gives Shona an irritated look. âI canât really talk about it here. Can you meet me at Blackstock Hall tomorrow? Ten oâclock.â
Itâs typical of Nelson that he assumes that Ruth has nothingbetter to do but it so happens that Ruth is free at that time. âI may have to juggle things at work,â she says, âbut that should be OK.â
âNelson,â cuts in Shona, âare you going to have your DNA tested?â
Nelson looks across at the trailer. âIs that what all this is about? No thanks.â
âWhat about you two?â Shona directs her question to Clough and Tim, who have come over to join them. She explains about the DNA project.
âYou should do it,â says Clough to Tim. âYouâre bound to be local. Just look at you.â
âWeâre all from Africa originally,â says Tim. âIsnât that right, Ruth?â
âIn essence, yes,â says Ruth.
âCome on then,â says Clough. âIâm pretty sure Iâll turn out to be a Viking warrior or something.â
The two men follow Shona towards the signs saying âDNA Testing Hereâ. Ruth looks back at Nelson but he is on his phone, oblivious to everything. It has started to rain. Ruth puts up her hood and heads towards the trailer.
6
Ruth has seen Blackstock Hall before. Thereâs an oil painting of it in Kingâs Lynn Library and it always features prominently on local postcards. But the painted and the photographic images have nothing on the reality: the grey towers rising up out of the mist, the fields merging into the sky, the eerie silence broken only by the geese calling plaintively from the marshes.
Nelson is already there, leaning against his car. He always manages to make Ruth feel as if sheâs late.
Ruth parks her Renault next to him, on the grass verge by the gate. After yesterdayâs rain the ground is waterlogged and boggy. She hopes that sheâll be able to get the car out again.
âWhat do you think?â Nelson gestures towards the house.
âAnd I thought my place was isolated.â
Nelson laughs. âThatâs what Cloughie and I said.â
Ruth is slightly disconcerted to think that she has been the subject of discussion between Nelson and Clough. She always wonders what Nelsonâs colleagues think of her. Well,Judyâs a friend, but the othersâClough, Tim and Tanyaâtheyâre a slightly unknown quantity. The one thing they have in common is a fierce loyalty to Nelson. Do they resent her role in his life? What
is
her role in his life?
If Nelson is indulging in such soul-searching, it doesnât show.
âWeâre looking for signs that a bodyâs been buried and dug up fairly recently,â he says. âWhat are we looking for apart from a bloody big hole?â
âA grave is a footprint of disturbance,â says Ruth. âThe soil will look different, even the colour of it. Sometimes thereâs a dip because, in time, soil compacts over a decomposing body and falls into the gap when the rib cage collapses. Even the vegetation will grow differently.â
âDecaying bodies are good for the flowers, are they?â
âDecomposition fluids can be toxic to some plants,â says Ruth. âBut some plants, like nettles, flourish.â
âBut weâre looking for a grave that has been disturbed.â
âWe can still see the signs,â says Ruth. âPlaces where the earth is looser, less compacted.â
âIf we do find the original grave, âsays Nelson, âwill you be able to tell how long ago the body was dug up?â
âItâs hard to be sure,â says Ruth.
Kathleen Brooks
Alyssa Ezra
Josephine Hart
Clara Benson
Christine Wenger
Lynne Barron
Dakota Lake
Rainer Maria Rilke
Alta Hensley
Nikki Godwin