arctic hiss, and muffled traffic noise from outside.
âTo Dorothy, my wife, and my children Rosalinde, Robert and Beatrice, I leave my extant liquid assets. These are to be divided equally into funds which I have already established in their names. In addition, I have established for my wife, Dorothy, in her name, a fund for the maintenance of her care until her death, such fund as will be attended to by the executor of this will.â He looked up, smiling sadly at my mother, whose eyes were elsewhere.
âTo Pierce Mix, I leave the contents of the bank account already established jointly in our names, the house at 12 Old Dock Road, Riverbank, New Jersey, the attached garage, the 1984 Cadillac El Dorado, and the land surrounding the house and garage, save that land on which my cartoon studio stands. To Pierce I also leave this envelope, its contents, and all rights and claims attached to its contents.â
Mal held up the bulging envelope and set it down again.
âSave those items already mentioned, I leave my worldly possessions to my wife and all my children, to be divided as they see fit.â
He paused a moment here. Had I not heard right, or had my name not been mentioned along with the liquid assets? Could it be that I would get no money at all? The thought crowded my head like a mouthful of stale bread. Nothing! I was getting nothing!
âTo my son Timothy,â Mal read, perhaps more slowly now. âI leave the Family Funnies comic strip, all merchandising, reprint, animation, book publishing, advertising and other rights as set forth in my name by Burn Features Syndicate, Incorporated, and the cartoon studio behind 12 Old Dock Road, Riverbank, New Jersey, the land it stands on and its full contents (and all rights to all drawings therein) under the following conditions: that he is able, three months from this date, to produce a weekâs worth of daily Family Funnies strips of his own devising and execution, to the satisfaction of a board of Burn Features editors and directors set forth below.â Mal proceeded to read from a list of names, none of which I heard. A silence gathered in the room with guerrilla stealth. People were looking at me.
âI donât get it,â I said, my voice dying in the chill air.
âHe left you the comic strip,â Mal said. âTo draw.â
âThatâs all?â
âThis too,â he said, and pushed the second envelope toward me. It had the approximate heft of three or four pieces of paper.
I turned the envelope over in my hands. TIM , it read, in faint ballpoint ink. When I looked up I met Susanâs eyes. She was gazing at me expectantly, like a lover naked under a thin sheet.
âExcuse me,â I said, and walked out.
six
I found a menâs room in the hallway, pushed the door open, and locked myself into a stall, where I sat down on the toilet and ripped open the envelope. Inside was a handwritten letter. It read:
Timâ
Well, I imagine youâre pretty pissed off right now, being as you didnât get any money from me. Of course if you can pull this off youâll get all the money youâll ever need and then some. Not that moneyâs important to you. Or is it?
We both know that what youâre doing is a lot of bullshit. I tried the genius painter thing when I was in college, and I wasnât any better at it than you were. Actually, I was probably a little better. But thatâs not the point. The point is that it isnât right for you and never was, and you only did it to get away from your mom and me and that house. Canât say I blame you for that. I was a real asshole sometimes, thatâs for sure, and your mother was too. But now youâre thirty years old (maybe more, depending on how quickly I knock off) and itâs time to get your act together, like it or not. God knows what a pain in the ass that is, so hereâs your chance to do it the easy way.
Why me? youâre
Bianca D'Arc
Sam Fisher
Fiona Davenport
Hazel Hunter
Kendra Wilkinson
Alexander McCall Smith
Atul Gawande
Bella Love-Wins, Bella Wild
Sara Ramsey
Tamara Summers