The Forest of Hands and Teeth
lips against my palm. It feels like fire entering my bloodstream and laying siege to my body. He kisses my wrist, and I am an inferno. He starts to move up my arm, his breath tantalizing, and I almost give in as he pulls me to him.
    But instead I step back, cradling my arm to my chest. “Be well,” I tell him because I don't know how to explain what I really want to say. And then I slip out the window and am covered in snow that instantly douses my skin, which just moments before had been aflame.
    Afraid of being seen by the people in the room next to Travis's, I sprint through the graveyard toward the fence line and into the shadows near the edge of the Forest. I kick my feet as I go, trying to make it look not quite so obvious that a human has walked away from under Travis's window, but before long my feet begin to freeze, the thin slippers I'm wearing no protection against the snow.
    I am as close to the Forest as I dare for nighttime when I begin to circle around so that I can enter the Cathedral through the front door. My mind wanders back to Travis, back to his bed and the feel of his skin. My body shivers from the memories, the desire, the frigid air. And so at first I don't realize that I am following in someone else's footsteps in the snow—not just one person's footsteps, but many.
    I pause. There is nothing behind me but the Forest, and my heart begins to pound. What if these are the tracks of the Unconsecrated? What if the fence is breached and there is no one to sound the alarm? Terror bolts through me, but I slip and slide in the snow as I scramble to follow the tracks back to their source.
    They stop at the fence. At the gate to the path that leads out of our village and through the Forest of Hands and Teeth. I kneel in the snow and look through the gate. Glistening under the moon I can see one clear set of footprints that lead to this gate. They stretch out, through the broken brambles and back down the path into the Forest for as far as I can see. They are not the shuffling footprints of the Unconsecrated, but the strong and distinct prints of the living, as if someone was walking purposefully down this path toward us.
    The path is forbidden to everyone: villagers, Sisters, Guardians. Never have I seen this gate opened, never have I seen someone use this path.
    Someone from Outside has come to our village.
    Which means that there is an Outside—something beyond the Forest.
    Excitement, fear, curiosity, panic well up my throat, making me almost giddy before I swallow hard and pull my mind back to the present moment. Leaning over the snow, I trace the outline of the Outsider's print. It is petite like mine but the steps are wide—either a small boy or a woman.
    Someone from Outside has come to our village!
    The wind begins to blow now, scattering the freshly fallen snow and obscuring the footprints. I'm almost skipping as I follow the prints back to the village, up to the front of the Cathedral. I am about to throw open the door in excitement, my entire being bursting with energy, when my mind catches up with my body.
    No one sounded the siren; no one rang the village bells. It may be night but something like an Outsider is news to wake the village for. Yet the Sisters have kept the Outsider a secret. They dragged him up to the room next to Travis's and they locked him in there. And I heard one of them say that they wouldn't tell the village until the Sisters were ready to do so.
    Suddenly, I understand that I am not supposed to know about the Outsider and I wonder to what lengths the Sisters will go to keep this secret. I think about the tunnel under the Cathedral and the clearing in the woods and wonder what other secrets they might be keeping.
    I duck into the shadows thrown by the walls of the Cathedral under the moon. With my hands against its formidable stone face, I creep through the bushes and around the snowdrifts until I am under my window. I reach up, slide it open and slip inside, wet and

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