The End (A Series of Unfortunate Events)

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than they would like to count, and this foot was much narrower and cleaner than the villain's.
    "Climb onto my back," Violet said to her brother. "Maybe we can hoist Sunny to the top."
    Klaus nodded, climbed carefully onto his sister's back, and then, very slowly, stood on Violet's shoulders. The three Baudelaires stood in a trembling tower, and Sunny reached out her little hands and pulled herself up, as she had pulled herself out of the elevator shaft at 667
    Dark Avenue not so long ago, and saw the woman who was lying unconscious on top of the stack of books. She was dressed in a dress of dark red velvet, which was streaked and soaked from the rain, and her hair lay sprawled behind her like a wide, tangled fan. The foot that was hanging over the side of the cube was bent a strange, wrong way, but she looked otherwise unharmed. Her eyes were closed, and her mouth was frowning, but her belly, full and round from her pregnancy, rose and fell with calm, deep breaths, and her hands, covered in long, white gloves, lay gently on her chest, as if she were comforting herself, or her child.
    "Kit Snicket," Sunny called down to her siblings, her voice hushed with amazement.
    "Yes?" replied a voice that was high-pitched and grating, a word which here means
    "irritating, and sadly familiar." From behind the cube of books, a figure stepped out to greet the children, and Sunny looked down and frowned as the tower of elder Baudelaires turned to face the person who was confronting them. This person was also wearing a talaric—a word which here means "just reaching the ankles"—dress that was streaked and soaked, although the dress was not just red but orange and yellow as well, the colors melting together as the person walked closer and closer to the children. This person was not wearing gloves, but a pile of seaweed had been arranged to resemble long hair, which cascaded hideously down this person's back, and although this person's belly was also full and round, it was full and round in an odd and unconvincing way. It would have been very unusual if the belly were genuine, because it was obvious from looking at the person's face that the person was not a woman, and pregnancy occurs very rarely in males, although the male seahorse is a creature that becomes pregnant from time to time.
    But this person, stepping closer and closer to the towered elder Baudelaires and gazing angrily up at the youngest, was no seahorse, of course. If the odd cube of books was trouble, then this man was treachery, and as is so often the case with treachery, his name was Count Olaf. Violet and Klaus stared at the villain, and Sunny stared at Kit, and then the three children looked out at the horizon, where other islanders who had spotted the strange object were heading toward them. Lastly, the Baudelaire orphans looked at one another, and wondered if a schism were so very far away after all, or if they had traveled a world away only to find all the trouble and treachery of the world staring them right in the face.

CHAPTER
SIX
    At this point, you may find yourself recognizing all of the sad hallmarks of the Baudelaire orphans' sad history. The word "hallmarks" refers to something's distinguishing characteristics, such as the frothy foam and loud fizz that are the hallmarks of a root beer float, or the tearstained photographs and the loud fizz that are the hallmarks of a broken heart.
    Certainly the Baudelaires themselves, who as far as I know have not read their own sad history, but of course are its primary participants, had a queasy feeling in their stomachs as the islanders approached them, holding various items they had found while storm scavenging.
    It appeared that once again, after arriving in a strange new home, Count Olaf would fool everyone with his latest disguise, and the Baudelaires would once again be in grave danger.
    In fact, Count Olaf's talaric disguise did not even cover the tattoo of an eye he wore on his ankle, as the islanders, living so

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