a dead enemy, falling with good, final weight.
The imperfection of the second pigeon he had shot, who was still lifting his wing now and then up in the round hole, nagged him. He put a new clip into the stock. Hugging the gun against his body, he climbed the ladder. The barrel sight scratched his ear; he had a sharp, garish vision, like a color slide, of shooting himself and being found tumbled on the barn floor among his prey. He locked his arm around the top rungâa fragile, gnawed rod braced between uprightsâand shot into the birdâs body from a flat angle. The wing folded, but the impact did not, as he had hoped, push the bird out of the hole. He fired again, and again, and still the little body, lighter than air when alive, was too heavy to budge from its high grave. From up here he could see green trees and a brown corner of the house through the hole. Clammy with the cobwebs that gatheredbetween the rungs, he pumped a full clip of eight bullets into the stubborn shadow, with no success. He climbed down, and was struck by the silence in the barn. The remaining pigeons must have escaped out the other hole. That was all right; he was tired of it.
He stepped with his rifle into the light. His mother was coming to meet him, and it tickled him to see her shy away from the carelessly held gun. âYou took a chip out of the house,â she said. âWhat were those last shots about?â
âOne of them died up in that little round hole and I was trying to shoot it down.â
âCopperâs hiding behind the piano and wonât come out. I had to leave him.â
âWell, donât blame me.
I
didnât want to shoot the poor devils.â
âDonât smirk. You look like your father. How many did you get?â
âSix.â
She went into the barn, and he followed. She listened to the silence. Her hair was scraggly, perhaps from tussling with the dog. âI donât suppose the others will be back,â she said wearily. âIndeed, I donât know why I let Mother talk me into it. Their cooing was such a comforting noise.â She began to gather up the dead pigeons. Though he didnât want to touch them, David went into the mow and picked up by its tepid, horny, coral-colored feet the first bird he had killed. Its wings unfolded disconcertingly, as if the creature had been held together by threads that now were slit. It did not weigh much. He retrieved the one on the other side of the barn; his mother got the three in the middle and led the way across the road to the little south-facing slope of land that went down toward the foundations of the vanished tobacco shed. The ground was too steep to plant and mow; wild strawberries grew in the tangled grass. She put her burden down and said, âWeâll have to bury them. The dog will go wild.â
He put his two down on her three; the slick feathers let the bodies slide liquidly on one another. David asked, âShall I get you the shovel?â
âGet it for yourself;
you
bury them. Theyâre your kill. And be sure to make the hole deep enough so Copper wonât dig them up.â While he went to the tool shed for the shovel, she went into the house. Unlike his usual mother, she did not look up, either at the orchard to the right of her or at the meadow on her left, but instead held her head rigidly, tilted a little, as if listening to the ground.
He dug the hole, in a spot where there were no strawberry plants, before he studied the pigeons. He had never seen a bird this close before.The feathers were more wonderful than dogâs hair, for each filament was shaped within the shape of the feather, and the feathers in turn were trimmed to fit a pattern that flowed without error across the birdâs body. He lost himself in the geometrical tides as the feathers now broadened and stiffened to make an edge for flight, now softened and constricted to cup warmth around the mute flesh. And across
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