is the right way to spell the plural). However, it is your own affair, and I am powerless to interfere, but I do think you ought not to set the boy against me, merely because I am, unhappily, in a position to know more than you do about certain facts of life.
Thank you, I am glad to say we are all very well. Mrs Harrisons portrait is finished. It is a very striking piece of colour. Of course, Mr H. thinks it does not do her justice, but then, as you would expect, he is quite out of sympathy with modern art.
We are relieved from the presence of Mr Munting, who has gone to Oxford, on a visit to some friends, or so he says. I think it is much more likely that he is leading a double life somewhere. He unblushingly confesses to having innumerable disreputable entanglements, and I am very sorry indeed for the girl he is engaged to.Your affectionate sister, Aggie
George Harrison to Paul Harrison
15, Whittington Terrace 20.11.28
My dear Boy,
I was very glad to get your letter the one dated 7th October and to know that all goes on so well with you and the bridge. You took exactly the course I should have advised myself in the matter of the man Matthews. In such a case, consideration is out of place. Your duty to the firm (to say nothing of the thousands who will use the bridge) must come before any sympathy for the man and his special circumstances. Far too much laxity is shown nowadays to outbreaks of so-called temperament, with most disastrous consequences, and there is far too much talk about not being able to help ones self. I should not let the matter prey on your mind in the least. I quite understand that the man has brilliant powers and an attractive personality, and that you are sorry to lose him, but it is fatally easy for a man like that to imagine that the ordinary rules of morality do not apply to him, and to indulge him in such ideas is bad for him, and may easily be ruinous to other people and to his work. I entirely approve your decision, and so, I am sure, must Sir Maurice, if the matter comes to his notice.
6
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I am feeling greatly benefited by my little holiday, and am glad to be back to work again. I found all well at home on my return. Margaret was in very good spirits over a little surprise that she and Lathom had prepared for me. She has been sitting to him for her portrait, and he has made a very striking piece of work of it. While I cannot say I think it does her justice, there is no doubt that it is a handsome piece of coloratura, and the kind of thing to attract attention at the present time. Lathom belongs, of course, to the modern school. He paints, I feel, in too much of a hurry, and his pictures have not the beautiful smooth finish of a Millais, or, among living artists, of a Lavery but no doubt he will grow out of this slapdash method when he is older. It is a kind of affection which besets the young painters of today, and, while I cannot help but see the defects of the method, I am not blind to the merits of the work and to the kind thought which prompted the execution. He is anxious to show it at the Academy next year, and Margaret is (naturally, I suppose) delighted with the idea. I was obliged, however, to say that I did not care about the project. It is the kind of picture to attract a good deal of comment of one sort and another, and these young people do not quite see the amount of undesirable publicity it might involve. I fear they are both rather disappointed, but later on, when I was able to speak quietly about it to Lathom alone, he saw the matter in the right light, and was very nice about it. We are hanging it in a good light in the drawing-room, where it will look very well.
There has been a very amusing sequel to this. Your old friend (or should I say enemy?) Miss Milsom has taken it into her head that her fair features ought to be immortalised, too! Lathom, with his usual extraordinary good nature, has actually consented to make a picture of her but only
John le Carré
Charlaine Harris
Ruth Clemens
Lana Axe
Gael Baudino
Kate Forsyth
Alan Russell
Lee Nichols
Unknown
Augusten Burroughs