because of her Sontag streak, her streak of Susan Sontag.
âIâm an American citizen,â you say. âI live in Florida. Usually. My passport and computer and everything were stolen by someone wearing a badge when I was checking into my hotel. The Golden Tulip.â
âThey were wearing a badge?â she says.
âYes, but that was just a front.â
âHave you been to the police?â
âYes,â you say. âThey gave me another backpack that wasnât mine to replace my backpack. I mean, they thought they were giving me the right backpack. Or maybe they didnât think that. Anyway, I got the wrong backpack back. So now I have someone elseâs backpack and passport.â
âWhy would the police give you someone elseâs backpack?â
âI donât know,â you say. âMaybe they were in on it.â
âIn on it with whom?â
âWith the hotel.â
âYouâre saying the Casablanca police and the Golden Tulip were in cahoots to steal your backpack.â
It sounds ludicrous coming from her mouth.
âYes,â you say, suddenly less certain of anything, of everything.
âCan I see your ID?â she says.
âThatâs the thing: I donât have any ID. I just have this other backpack and passport, which I left at the hotel for safekeeping.â
âBut why would you have someone elseâs backpack and passport?â
âBecause the police gave it to me.â
âCan I see the police report?â she says. âWith your name on it.â
âI donât have a police report.â
âYou donât have a police report,â she says in disbelief.
âI have a document from them,â you say. âWith a red stamp from the police chief.â
âCan I see it?â she asks.
You reach into your skirt pocket and extract the paper and unfold it.
Itâs blank.
You turn it over.
The other side is blank.
You feel your ears pop and widen, as though your sense of hearing will help you locate the document.
âI think I left it. I left the document at the hotel,â you say, speaking slowly, trying to calm yourself down.
âAnd it has your name on it?â
âYes,â you lie, because you cannot believe youâre in a situation where you have nothing with your own name on it.
âCan you get that document and bring it back here?â She is speaking to you like a child. Susan Sontag is speaking to you like a child.
âYes,â you say. âIâll get the police document and Iâll bring it here.â
âBring it tomorrow,â she says. âIn the meantime, do you want to tell me whose passport and backpack they gave you? They were American, I assume?â
âYes, sheâs American,â you say.
âHer name?â she says.
You panic. If you give up Sabine Alyseâs name you will have nothing.
You decide to lie because you have no choice: âI donât remember. Iâll have to go back to the hotel and get that too,â you say.
She looks at you skeptically, taking in your features for the first time. You imagine her describing you to someone else, perhaps the police, the ambassador, the secretary of state, the president. He will be so disappointed.
âYou said youâre staying at the Golden Tulip?â she says.
âYes,â you lie. âThe Golden Tulip. Iâll be there until this all gets resolved.â
She scribbles something on a paper in front of her, a paper you cannot see. You imagine itâs a list of suspicious persons, people she and the president are disappointed in.
âWhat time will you be back here tomorrow? What time can we expect to see you?â
âFirst thing,â you say. You know you need to be agreeable. She suspects you of something and you need to be agreeable.
âNine A.M. ,â she says.
âPerfect,â you say.
âIâll take down your name
Yvonne Adhiambo Owuor
Mark Bredenbeck
Dirk Patton
Valentina Lovecraft
Bill Palmer
Linda Broday
Pamela Morsi
Franklin W. Dixon
Laurent Dubois
Richard Woodman