cheeks.
Al sobs again. I almost feel the sound grate in my own throat. He is just inches away from me—I should touch him.
No. I put my hand down and roll onto my side, facingthe wall. No one has to know that I don’t want to help him. I can keep that secret buried. My eyes shut and I feel the pull of sleep, but every time I come close, I hear Al again.
Maybe my problem isn’t that I can’t go home. I will miss my mother and father and Caleb and evening firelight and the clack of my mother’s knitting needles, but that is not the only reason for this hollow feeling in my stomach.
My problem might be that even if I did go home, I wouldn’t belong there, among people who give without thinking and care without trying.
The thought makes me grit my teeth. I gather the pillow around my ears to block out Al’s crying, and fall asleep with a circle of moisture pressed to my cheek.
CHAPTER EIGHT
“T HE FIRST THING you will learn today is how to shoot a gun. The second thing is how to win a fight.” Four presses a gun into my palm without looking at me and keeps walking. “Thankfully, if you are here, you already know how to get on and off a moving train, so I don’t need to teach you that.”
I shouldn’t be surprised that the Dauntless expect us to hit the ground running, but I anticipated more than six hours of rest before the running began. My body is still heavy from sleep.
“Initiation is divided into three stages. We will measure your progress and rank you according to your performance in each stage. The stages are not weighed equally in determining your final rank, so it is possible, thoughdifficult, to drastically improve your rank over time.”
I stare at the weapon in my hand. Never in my life did I expect to hold a gun, let alone fire one. It feels dangerous to me, as if just by touching it, I could hurt someone.
“We believe that preparation eradicates cowardice, which we define as the failure to act in the midst of fear,” says Four. “Therefore each stage of initiation is intended to prepare you in a different way. The first stage is primarily physical; the second, primarily emotional; the third, primarily mental.”
“But what…” Peter yawns through his words. “What does firing a gun have to do with…bravery?”
Four flips the gun in his hand, presses the barrel to Peter’s forehead, and clicks a bullet into place. Peter freezes with his lips parted, the yawn dead in his mouth.
“Wake. Up,” Four snaps. “You are holding a loaded gun, you idiot. Act like it.”
He lowers the gun. Once the immediate threat is gone, Peter’s green eyes harden. I’m surprised he can stop himself from responding, after speaking his mind all his life in Candor, but he does, his cheeks red.
“And to answer your question…you are far less likely to soil your pants and cry for your mother if you’re prepared to defend yourself.” Four stops walking at the end of the row and turns on his heel. “This is also informationyou may need later in stage one. So, watch me.”
He faces the wall with the targets on it—one square of plywood with three red circles on it for each of us. He stands with his feet apart, holds the gun in both hands, and fires. The bang is so loud it hurts my ears. I crane my neck to look at the target. The bullet went through the middle circle.
I turn to my own target. My family would never approve of me firing a gun. They would say that guns are used for self-defense, if not violence, and therefore they are self-serving.
I push my family from my mind, set my feet shoulder-width apart, and delicately wrap both hands around the handle of the gun. It’s heavy and hard to lift away from my body, but I want it to be as far from my face as possible. I squeeze the trigger, hesitantly at first and then harder, cringing away from the gun. The sound hurts my ears and the recoil sends my hands back, toward my nose. I stumble, pressing my hand to the wall behind me for balance. I
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