corpse of a family member. He had heard about these piers; they were called funeral piers.
Several dozen of the microscopic explosives known as cookie-cutters detonated in his bloodstream.
Nell learns to work the matter compiler; youthful indiscretions; all is made better.
Nell had grown too long for her old crib mattress, and so Harv, her big brother, said he would help get a new one. He was big enough, he offhandedly mentioned, to do that sort of thing. Nell followed him into the kitchen, which housed several important boxy entities with prominent doors. Some were warm, some cool, some had windows, some made noises. Nell had frequently seen Harv, or Tequila, or one of Tequila's boyfriends, removing food from them, in one stage or another of doneness.
One of the boxes was called the M.C. It was built into the wall over the counter. Nell dragged a chair and climbed up to watch as Harv worked at it. The front of the M.C. was a mediatron, which meant anything that had pictures moving around on it, or sound coming out of it, or both. As Harv poked it with his fingers and spoke to it, little moving pictures danced around. It reminded her of the ractives she played on the big mediatron in the living room, when it wasn't being used by someone bigger.
"What are those?" Nell said.
"Mediaglyphics," Harv said coolly. "Someday you'll learn how to read."
Nell could already read some of them.
"Red or blue?" Harv asked magnanimously.
"Red."
Harv gave it an especially dramatic poke, and then a new mediaglyphic came up, a white circle with a narrow green wedge at the top. The wedge got wider and wider. The M.C. played a little tune that meant you were supposed to wait. Harv went to the fridge and got himself a juice box and one for Nell too. He looked at the M.C. disdainfully. "This takes so long, it's ridiculous," he said.
"Why?"
"'Cause we got a cheap Feed, just a few grams per second. Pathetic."
"Why do we got a cheap Feed?"
"Because it's a cheap house."
"Why is it a cheap house?"
"Because that's all we can afford because of the economics," Harv said. "Mom's gotta compete with all kinds of Chinese and stuff that don't have any self-respect and so they'll work for nothing. So Mom's gotta work for nothing." He looked at the M.C. again and shook his head. "Pathetic. At the Flea Circus they got a Feed that's, like, this big around." He touched his fingertips together in front of him and made a big circle with his arms. "But this one's probly like the size of your pinkie."
He stepped away from the M.C. as if he could no longer stand to share a room with it, sucked powerfully on his juice box, and wandered into the living room to get in a ractive. Nell just watched the green wedge get bigger and bigger until it filled half the circle, and then it began to look like a green circle with a white wedge in it, getting narrower and narrower, and finally the music came to a bouncy conclusion just as the white wedge vanished.
"It's done!" she said.
Harv paused his ractive, swaggered into the kitchen, and poked a mediaglyphic that was an animated picture of a door swinging open. The M.C. took to hissing loudly. Harv watched her scared face and ruffled her hair; she could not fend him off because she had her hands over her ears. "Got to release the vacuum," he explained.
The sound ended, and the door popped open. Inside the M.C., folded up neatly, was Nell's new red mattress. "Give it to me! Give it to me!" Nell shouted, furious to see Harv's hands on it. Harv amused himself for a second playing keep-away, then gave it to her. She ran to the room that she shared with Harv and slammed the door as hard as she could. Dinosaur, Duck, Peter, and Purple were waiting for her. "I got us a new bed," she told them. She grabbed her old crib mattress and heaved it into the corner, then unfolded the new one precisely on the floor. It was disappointingly thin, more blanket than mattress.
Mallory Rush
Ned Boulting
Ruth Lacey
Beverley Andi
Shirl Anders
R.L. Stine
Peter Corris
Michael Wallace
Sa'Rese Thompson.
Jeff Brown