the ocean.
âThe point is,â said Wren, sliding her hand onto his leg, âyou know she wants to do it. You heard what she said about unfinished business.â
Brian had heard all right, but it made no sense to him. Who could Anna possibly know in Winnemucca after seventy-five years? And what difference would it make?
âOld ghosts,â said Wren, reading his mind.
Chapter 6
SCORCHER
J eanette MacDonaldâs coat was slinky satin trimmed in marabou, but Andy had only a moment to admire it before the room shook and the balcony cracked and people began screaming bloody murder. He usually saved a few Milk Duds for after the movie, just to prolong the experience, but he gobbled every last one of them in the three minutes it took for the city of San Francisco to collapse into rubble.
âMy goodness,â said Margaret as they spilled out of the American Theater into the unglamorous daylight of Bridge Street. âYou were wolfinâ down those Duds like gangbusters. Scared the hell out of you, huh?â
âIt was sure realistic,â Andy replied, though truthfully he had been more shaken by Clark Gableâs treatment of Jeanette than by the ensuing earthquake. Gable had just humiliated her onstage, after all, evicted her from his club and his life, this blustery brute who couldnât recognize true love when it came along. It was almost as if he had caused the earthquake. Andy had seen plenty such men, and so had Margaret, but Margaret, oddly, trembled only in the face of collapsing buildings.
âI ate all mine too,â said Margaret, holding up an empty box of Red Hots. Andy expected her to blow on it and make it honk like a goose, and thatâs just what she did, prompting an old lady standing by the ticket booth to jump, then turn and frown at them. He smiled a sheepish apology. Margaret could be childish sometimes.
âI love the song,â he said, hoping at the very least to keep Margaret from attempting a second honk while there were people around.
It worked. Margaret puffed up her ruffled bosom, shook her loose platinum hair, and began to sing: â San Francisco, open your Golden Gate ââ
Andy took it from there. â Youâll let no stranger wait, la, la, la, la .â
They burst into laughter and joined in a duet, heading down the dusty sidewalk like some goofball vaudeville act. â San Francisco, here is your . . . la, la, la . . . saying I wander no more. Other places only make me la, la, la ââ
âOkay, thatâs enough!â Margaret brought an end to their routine by yanking on Andyâs arm.
âWhat?â
âYou were twirling.â
âI was giving it some pep.â
âWeâre making a scene,â she whispered. She nodded in the direction of two men in dirty overalls scowling at them from the alley by the five-and-dime.
Andy shrugged. âBig deal.â
âYou can twirl at home, lamb. Just donât do it here. Folks will get the wrong idea.â
Andy could have told her that an old chippie honking on a Red Hots box was making just as big a scene as a boy twirling on the sidewalk, but he kept his mouth shut because he knew what she meant, and because he could hurt her feelings more than she could ever hurt his. They took care of each other in different ways. She did it with movies and tender conspiracies. Sometimes silence was all he could offer.
Margaret glanced at him as they passed Kossolâs Kosy Korner. Even there, in the dim glare of the diner on a sober Saturday afternoon, people seemed to be watching them through the streaky glass, including old Kyle Kossol himself. âDid you like your birthday present?â Margaret asked him.
âUh-huh.â
âI thought youâd like those colors.â
âI did. Yeah.â His face was aflame with mortification and unarticulated gratitude.
âYou canât tell your mama, Andy.â
âI
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