The Days of Abandonment

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Authors: Elena Ferrante
Tags: Fiction, Literary
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No sign of this in the apartment. And anyway it wasn’t a rule. I became lost in a memory of an episode of twenty years earlier, when I was still living at home with my parents. It contradicted all reports about the behavior of robbers. Coming home we had found the door forced open, but the house in perfect order. There was no trace of foul vengeance. Only hours later did we discover that the one thing of value we had was missing: a gold clock that my father had given my mother years earlier.
    I left the children in the kitchen and went to see if there was money in the place where I usually put it. There was. But I couldn’t find the earrings that had belonged to Mario’s grandmother. They weren’t in their place, in the chest on the bureau, or in any other place in the house.

13.
    I spent the night and the following days in reflection. I felt occupied on two fronts: I had to keep hold of the reality of the facts while sidelining the flow of mental images and thoughts; and meanwhile try to give myself strength by imagining I was like the salamander, which can pass through fire without feeling pain.
    Don’t succumb, I goaded myself. Fight. I feared above all my growing incapacity to stick to a thought, to concentrate on a necessary action. The abrupt, uncontrollable twists frightened me. Mario, I wrote, to give myself courage, had not taken away the world, he had taken away only himself. And you are not a woman of thirty years ago. You are of today, take hold of today, don’t regress, don’t lose yourself, keep a tight grip. Above all, don’t give in to distracted or malicious or angry monologues. Eliminate the exclamation points. He’s gone, you’re still here. You’ll no longer enjoy the gleam of his eyes, of his words, but so what? Organize your defenses, preserve your wholeness, don’t let yourself break like an ornament, you’re not a knickknack, no woman is a knickknack. La femme rompue, ah, rompue , the destroyed woman, destroyed, shit. My job, I thought, is to demonstrate that one can remain healthy. Demonstrate it to myself, no one else. If I am exposed to lizards, I will fight the lizards. If I am exposed to ants, I will fight the ants. If I am exposed to thieves, I will fight the thieves. If I am exposed to myself, I will fight myself.
    Meanwhile, I wondered: who came into the house, who took the earrings and nothing else. I answered: him. He took the family earrings. He wants me to understand that I am no longer his blood, he has made me a stranger, he has exiled me from himself for good.
    But then I changed my mind, that seemed to me too unbearable. I said to myself: wait. Stick with the thieves. Drug addicts, maybe. Spurred by the urgent need of a fix. Possible, probable. And, afraid of exaggerating this fantasy, I stopped writing, I went to the door of the house, I opened it, I closed it without slamming it. Then I grabbed the handle, pulled it hard, and, yes, the door opened, the lock didn’t hold, the spring was worn, the bolt went in barely a fraction of an inch. The door appeared closed, and yet you had only to pull and it opened. The apartment, my life and that of my children, it was all open, exposed night and day to anyone.
    I quickly came to the conclusion that I had to change the lock. If burglars had entered the house, they could return. And if Mario had entered, furtively, what distinguished him from a thief? He was worse, in fact. Entering his own house secretly. Hunting around in known places, perhaps reading my outbursts, my letters. My heart was bursting with rage. No, he would never cross that threshold again, never, the children would agree with me, you don’t speak to a father who sneaks into the house and leaves no trace of himself, not a hello, not a goodbye, not even a how are you.
    So, on a wave first of resentment, then of apprehension, I convinced myself that I had to have a new lock on the door. But—the locksmiths I called explained to me—even if locks, with their

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