heavy being pushed or rolled over a rocky surface. Then I caught sight of a gleam of light, low on the dark mass I was approaching.
Drawing nearer, I saw small, manlike forms outlined in a rectangle of light, struggling to move a great rocky slab. Faint echoes of a clattering sound and another whinny came from their direction. Then the stone began to move, swinging like the door that it probably was. The lighted area diminished, narrowed to a sliver, vanished with a booming sound, all of the struggling figures having first passed within.
When I finally reached that rocky mass all was silent once again. I pressed my ear to the stone, but heard nothing. But, whoever they were, they had taken my horse. I had never liked horse thieves, and I had killed my share in the past. And right now, I needed Star as I had seldom needed a horse. So I groped about, seeking the edges of that stony gate.
It was not too difficult to describe its outlines with my fingertips. I probably located it sooner than I would have by daylight. When everything would have blended and merged more readily to baffle the eye. Knowing its situation, I sought further then after some handhold by which I might draw it. They had seemed to be little guys, so I looked low.
I finally discovered what might have been the proper place and seized hold of it. I pulled then, but it was stubborn. Either they were disproportionately strong or there was a trick to it that I was missing.
No matter. There is a time for subtlety and a time for brute force. I was both angry and in a hurry, so the decision was made.
I began to draw upon the slab once again, tightening the muscles in my arms, my shoulders, my back, wishing Gerard were nearby. The door creaked. I kept pulling. It moved slightly-an inch, perhaps-and stuck. I did not slacken, but increased my effort. It creaked again.
I leaned backward, shifted my weight and braced my left foot against the rocky wall at the side of the portal. I pushed with it as I drew back. There was more creaking and some grinding as it moved again-another inch or so. Then it stopped and I could not budge it.
I released my grip and stood, flexing my arms. Then I put my shoulder to it and pushed the door back to its fully closed position. I took a deep breath and seized it again.
I put my left foot back where it had been. No gradual pressure this time. I yanked and shoved simultaneously.
There was a snapping sound and a clattering from within, and the door came forward about half a foot, grinding as it moved. It seemed freer now, though, so I got to my feet, reversed my position-back to wall-and found sufficient purchase to push it outward.
It moved more easily this time, but I could not resist placing my foot against it as it began to swing and thrusting forward as hard as I could. It shot through a full hundred and eighty degrees, slammed back against the rock on the other side with a great booming noise, fractured in several places, swayed, fell and struck the ground with a crash that made it shudder, breaking off more fragments when it hit.
Grayswandir was back in my hand before it struck, and I had dropped into a crouch and stolen a quick look about the corner.
Light . . . There was illumination beyond . . . From little lamps depending from hooks along the wall . . . Beside the stairway . . . Going down . . . To a place of greater light and some sounds . . . Like music. . .
There was no one in sight. I would have thought that the godawful din I had raised would have caught someone’s attention, but the music continued. Either the sound-somehow-had not carried, or they did not give a damn. Either way . . .
I rose and stepped over the threshold. My foot struck against a metal object. I picked it up and examined it. A twisted bolt. They had barred the door after themselves. I tossed it back over my shoulder and started down the stair.
The music-fiddles and pipes-grew louder as I advanced. From the breaking of the light, I could see
Fran Baker
Jess C Scott
Aaron Karo
Mickee Madden
Laura Miller
Kirk Anderson
Bruce Coville
William Campbell Gault
Michelle M. Pillow
Sarah Fine