degrees lighter than Ninaâs, but had a little of the same intensity.
âWelcome,â she said. âIâm actually very pleased that youâll be staying here while you are in Viborg.â
In spite of her clearly sincere invitation, Søren had at first thought that he would prefer a hotel room. It felt fairly transgressiveâof his own limits and Ninaâsâto move in with his âmother-in-lawâ without having met her before. But then he had remembered that there was a reason that Nina had gone home to Viborg. It was tough to go through chemotherapy like Hanne Borgâs alone, and there was the added complication that Ninaâs mother didnât like to drive. If nothing else he could act as chauffeur and help with shopping and the like while they waited for Nina to be discharged.
âWhat a cozy place,â he said, and meant it.
The house on Cherry Lane was part of a terraced estate from the fifties. Functional and well designed, red brick walls and tile roofs, with small, attractive, almost identical front yards, white doors and windows and a general air of being from before things went wrong. Inside, there were blond wood floors and kilim rugs, Danish Modern furniture and cheap bookshelves rubbing shoulders in eclectic harmony, piles of books and a multitude of pictures, ceramic vases and green plants.
âIs this where Nina grew up?â
âPartly,â said Hanne Borg. âWe moved here after FinnâNinaâs father . . . after he died. It was cheaper, and I thought it would help to get away from . . . from the actual scene.â She observed him as she said it, as if to measure how much he might know.
Søren knew perfectly well that Finn Christian Borg had committed suicide one September day in the eighties when Nina was twelve. But that was because it said so in one of the background files he had read and saved after their first meeting in the middle of an anti-terror case, and not because Nina had told him. Should he pretend he didnât know anything? To pretend ignorance was patently false but the opposite would make it appear that Nina had taken him further into her confidence than he had so far ventured.
âIt canât have been easy,â he said, as a form of compromise.
Hanne Borg smiled bitterly.
âNo,â she said. âIt wasnât. Nina found him. But you probably know that.â
âOh . . . no, she . . . didnât tell me that.â
âThe old house had a bathroom in the basement. Thatâs where he was, in the bathtub . . . For a child to see something like that . . . itâs not something you get over in a hurry.â
It seemed to him that there was a kind of warning in her toneâperhaps an attempt to ensure that he knew what he was getting into?
âNo, I understand,â he just said. âItâs pretty remarkable that she . . . functions so well in a crisis now.â Terrifyingly effective was the description that occurred to him. He would never forget the expression on her face when she rammed the knife in between his fourth and fifth rib.
âOh, yes,â said Hanne Borg. âSheâs excellent in a crisis.â
That was all she said, but Søren didnât need glasses to read the subtext: it was life between the crises that was a challenge for Hanneâs daughter.
That was probably his own Achilles heel as well. He certainly had not excelled when it came to creating a life beyond the stresses of his job. He felt he was at his best at workâhis sharpest and most alive. Or . . . that was the way it had been.
âWould you like a cup of coffee?â
He pushed aside the thought of Torben and his damned sick leave and checked his watch.
âYes, thank you, a quick cup,â he said. âI have a meeting at the police station in an hour or so.â
âAbout Nina?â
âYes. Iâd like to see if I can help the investigation along a bit. It
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