a granite throne, staring for ever toward the arched doorway, sat the monstrous and obscene Pteor, the god of the Pelishtim, wrought in brass, with his exaggerated attributes reflecting the grossness of his cult. And in his lap sprawled a limp white figure –
“Well, I’ll be damned!” muttered Conan. He glanced suspiciously about the chamber, seeing no other entrance or evidence of occupation, and then advanced noiselessly and looked down at the girl whose slim shoulders shook with sobs of abject misery, her face sunk in her arms. From thick bands of gold on the idol’s arms slim gold chains ran to smaller bands on her wrists. He laid a hand on her naked shoulder and she started convulsively, shrieked, and twisted her tear-stained face toward him.
“Conan!”
She made a spasmodic effort to go into the usual clinch, but the chains hindered her. He cut through the soft gold as close to her wrists as he could, grunting: “You’ll have to wear these bracelets until I can find a chisel or a file. Let go of me, damn it! You actresses are too damned emotional. What happened to you, anyway?”
“When I went back into the oracle chamber,” she whimpered, “I saw the goddess lying on the dais as I’d first seen her. I called out to you and started to run to the door – then something grabbed me from behind. It clapped a hand over my mouth and carried me through a panel in the wall, and down some steps and along a dark hall. I didn’t see what it was that had hold of me until we passed through a big metal door and came into a tunnel whose roof was alight, like this chamber.
“Oh, I nearly fainted when I saw! They are not humans! They are grey, hairy devils that walk like men and speak a gibberish no human could understand. They stood there and seemed to be waiting, and once I thought I heard somebody trying the door. Then one of the
things
pulled a metal lever in the wall, and something crashed on the other side of the door.
“Then they carried me on and on through winding tunnels and up stone stairways, into this chamber, where they chained me on the knees of this abominable idol, and then they went away. Oh, Conan, what are they?”
“Servants of Bit-Yakin,” he grunted. “I found a manuscript that told me a number of things, and then stumbled upon some frescoes that told me the rest. Bit-Yakin was a Pelishtim who wandered into the valley with his servants after the people of Alkmeenon had deserted it. He found the body of Princess Yelaya, and discovered that the priests returned from time to time to make offerings to her, for even then she was worshipped as a goddess.
“He made an oracle of her, and he was the voice of the oracle, speaking from a niche he cut in the wall behind the ivory dais. The priests never suspected, never saw him or his servants, for they always hid themselves when the men came. Bit-Yakin lived and died here without ever being discovered by the priests. Crom knows how long he dwelt here, but it must have been for centuries. The wise men of the Pelishtim know how to increase the span of their lives for hundreds of years. I’ve seen some of them myself. Why he lived here alone, and why he played the part of oracle no ordinary human can guess, but I believe the oracle part was to keep the city inviolate and sacred, so he could remain undisturbed. He ate the food the priests brought as an offering to Yelaya, and his servants ate other things – I’ve always known there was a subterranean river flowing away from the lake where the people of the Puntish highlands throw their dead. That river runs under this palace. They have ladders hung over the water where they can hang and fish for the corpses that come floating through. Bit-Yakin recorded everything on parchment and painted walls.
“But he died at last, and his servants mummified him according to instructions he gave them before his death, and stuck him in a cave in the cliffs. The rest is easy to guess. His servants, which were
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