The Condition of Muzak

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Authors: Michael Moorcock
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real.” She inspected the facets, one by one. “Where did you get it?”
    “It’s only a model.” He put his legs into a pair of purple bells.

7. OPTICS FOR DEFENCE
    Grass and moss were growing over the paving stones of Westbourne Park Road. Jerry saw Miss Brunner to the gate and took in the scenes of soft decline, much more congruent, at last, with the rural atmosphere of the convent’s garden. Even the air was relatively fresh. “It’s lovely now, isn’t it?” He watched her walk to her Austin Princess. “It smells so rich.”
    “Stagnation’s no substitute for stability.” She wrenched open the car’s door. “I hope you’re pleased with yourself.” From behind the façade of deserted houses on the opposite side of the street a few small dogs barked. “It’s going to take England a long time to get back on her feet. And as for the rest of the world…” She entered the car. He saw her through the clouded glass as, aggressively, she put the engine into gear. For someone who had so much to do with machines she displayed a stern hatred for most of them. He waved as she swerved into Ladbroke Grove, still puzzled as to why she had taken the laundry box with her; it had been full of his old junk—a broken watch, tickets, empty matchbooks, old calendars, torn notebooks, catalogues, useless maps, out-of-date maintenance manuals; all had gone into her box. Perhaps she thought she could feed the information into a new computer and thus reproduce his lost memory. He was quite grateful to her; there was nothing, he felt, of his past he wished to retain. He had been glad to offer her his clothes and tapes, but she had declined most of them with the air of someone who had already researched them thoroughly. Deciding against returning to his room, he locked the gate behind him and walked round to Blenheim Crescent, peering up at his mother’s flat as he passed but making no effort to see if she was still there. He was sure that Mrs Cornelius, of all people, wouldn’t have moved. He turned left at the antique shop with its smashed windows, its contents scattered on the pavement, where Sammy, his mother’s lover, had once sold pies, into Kensington Park Road. Assegais, brass microscopes, elephants’ feet, bits of sixteenth-century armour, the innards of clocks, broken writing chests, Afridi rifles inset with copper and mother-of-pearl, their stocks crumpled by woodworm, rotting books and fading photographs lay in heaps all across the street, exuding a sweet, musty smell that was not unpleasant. He entered Elgin Crescent, going towards Portobello Road, and found a shop that had once specialised in theatrical costumes and musical instruments. The door was ajar and the bell rang as he entered. Most of the costumes were still intact, in boxes or on hangers depending on racks from both sides of the showroom. He tried on the full dress uniform of a captain in the 30th Deccan Horse, discarded it. He dressed himself as Zorro, as Robin Hood, as Sam Spade. He tried the Buffalo Bill outfit and felt a little more at ease in it; he forced himself into a lurex Flash Gordon, a Sherlock Holmes deerstalker and ulster, a Zenith the Albino dress suit, a Doctor Nikola set, a Captain Marvel costume, even a Tarzan loincloth; a suit of motley, a Jester, seemed better, but he was seeking security at present, so he also discarded the Harlequin trickster set, but eventually decided upon an elaborate black-and-white satin Pierrot suit, the main colour being black, the pom-poms, ruff and cuffs being white, the skull-cap being white also, a reverse of the usual arrangement. He was pleased with his appearance. He found a pure white wig, perhaps originally for an old lady character, and put this on under his skull-cap. As an afterthought he picked up some greasepaint and blacked his face and hands then, for an hour, he sat in front of the long mirror playing a Walker five-string banjo to himself, raising his spirits still further:
On the road to

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