you a couple more questions for my survey.â
âOkay,â she says, sounding groggy. âQuestions?â
âI punched a girl in the stomach,â I say. âAt the mall. I did it because I was angry, and I donât know if it was right or not. I donât think it was.â I pause, and I can hear her husband saying, âWho is it?â in the background. âI donât mean because she was a girl,â I say. âIâm not sure exactly what the differences are between a man and a woman. I wish I knew more. I know that Iâm much bigger than her, and that her boyfriend was much bigger than me.â
âDid he hit you?â she says, and I nod.
âYeah, but I knew that he would. I just couldnât control myself. For that couple of minutes she symbolized everything that is wrong with how we perceive beauty as a society; she was the store-bought ideal that drives girls to bulimia and anorexia. She was the skinny thinspiration that helps thirteen-year-olds put off eating for just one more day, and so I walked over and punched her.â
âWhy?â Mrs. Hubert says, and she doesnât sound angry or irritated; she just sounds confused. âDo you think that solved anything?â
âI donât know what to do,â I say. âI say that societyâs beauty standards are killing young girls, but I donât have a solution to that. Any beauty ideal we create will be exclusive, almost by definition. And the concept of beauty itself wouldnât withstand an all-encompassing tact. If everyone is beautiful, then nothing is. Itâs so frustrating. I punched her hard, and she went down, but I have no idea who she is. I canât find out anything about her, can I? She was just some stranger in the mall. What if sheâs done nothing to deserve it? What if sheâs the nicest girl youâve ever met?â
âYou canât do anything to fix it,â Mrs. Hubert says. âAll you can really do is learn from your mistakes. Anger doesnât solve anything,â she says.
âI donât know if I believe that,â I say. âWe canât just push our anger down.â
âAre you the boy who keeps calling here?â she says, and I hang up. It hasnât helped.
Richardâs standing in the doorway when I turn around, and itâs clear from his face that heâs heard the whole thing. He looks like he wants to say something. I smile as best I can and say, âThe best way to approach someone with a difficult new concept is to couch that concept in a discourse pattern that theyâre already familiar with. In this case I chose the motherly paradigm. In order to open her mind to issues of personal responsibility and gender-role confusion, I approached her as a troubled son might, looking for answers from his mother.â
Heâs still making the face, and I cut him off before he speaks. âI wonât use your phone for it anymore,â I say. âThat was irresponsible of me. Goodnight.â I turn off the light and roll over to face the window. The moon is out, and for a while I can hear him breathing behind me. I donât notice when it stops, but I am suddenly aware that itâs much quieter, and when I turn to look again heâs gone.
I realize Iâm dreaming when the elephant turns her head to look at me, and she lifts her trunk and words flow out like music. No flyers please, no flyers please, no flyers please. And suddenly Iâm floating in the air above the street, and I can see a long line of elephants, words coming out of their mouths in speech balloons.
No parking, no flyers please, absolutely no loitering, wash your hands, wash your hands. I canât hear the words, only read them, but I cover my ears anyway, and then Alex is floating beside me, naked, but her breasts are made of something wrong. I look closer and theyâre maggots, shaping her breasts, and now they crawl down
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