switched to a mix of hard, head-banging rock. That workedâthe energy of it pumped into him. And changed the tone of the painting.
Heâd initially envisioned the mermaid lounging on a ledge of rock on the verge of a stormy sea as sexual, but now the sexuality took on a predatory edge.
Now there came a question. Would she save the seamen who fell into that stormy sea when their ship crashed into the rocks, or would she drag them under?
The moonlight, not romantic now, no, not romantic, but another threat as it illuminated the teeth of the rocks, the speculative gleam in her sea mist eyes.
He hadnât expected the violence when heâd done the initial sketches, hadnât expected the question of brutality when heâd used the model with her tumble of ink-black hair for the early stages.
But now, alone with the pounding music, the vicious storm at sea and the violence of his own thoughts, the painting evolved into something just a little sinister.
She Waits,
he thought.
When his phone rang his instinct was annoyance. He always turned off his phone when he worked. With a family the size of his, heâd be deluged with calls, texts, e-mails all day and half the night if he didnât put up some boundaries.
But he had felt obliged to leave it on today. Even now he ignored the first two rings before he remembered why heâd left it on.
He set down his brush, took the second brush he had clamped between his teeth and tossed it aside, reaching for the phone.
âArcher.â
âOh, ah, itâs Lila. Lila Emerson. I wasâare you at a party?â
âNo. Why?â
âItâs loud. The musicâs loud.â
He looked for the remote, shoved at some jars, punched the music off. âSorry.â
âNo, itâs fine. If you donât play Iron Maiden loud, thereâs no point. And since youâre probably working, my apologies. I just wanted to call to let you know if you still want to come here, look at the . . . well, look from where I was that night, itâs fine.â
His first surprise was that sheâd recognized the ancient âAces Highâ as Iron Maiden, and the next that sheâd correctly assumed heâd had it to ear-splitting while he worked.
But heâd think about that later.
âIs now good?â
âOh . . .â
Donât push, he warned himself. Poor tactics. âTell me when,â he said. âWhenever it works for you.â
âNowâs good. I just didnât expect you to say it. Nowâs fine. Let me give you the address.â
He grabbed a sketching pencil to scribble it down. âGot it. Give me about a half hour. I appreciate it.â
âItâs . . .â She caught herself before she said âfineâ again. âIâd want to do the same in your place. Iâll see you in about thirty.â
Done it now, she thought. âSo, whatâs the etiquette for this situation, Thomas? Do I put out a nice little plate of Gouda and sesame crackers? No, youâre right. Thatâs just silly. Makeup? Again youâre wise beyond your years, my young student. Thatâs a definite yes. No point looking like a refugee.â
She decided to change out of her going-nowhere shorts, thin-with-age bubble-gum-pink T-shirt with its retro Wonder Twins silkscreen.
It might also help to look like an adult.
She wished sheâd made some sun tea, which also struck her as adult and responsible, but since sheâd left it too late for that, decided coffee would do if he wanted anything.
She hadnât quite finished dithering when she heard the bell.
Awkward, she thought. The whole thing was so damn awkward. She glanced through the peepâblue T-shirt today, and the stubble just a little heavier. Hair thick, dark, tousledâeyes smart-cat green and just a little impatient.
She wondered if it would be slightly less awkward if he was pudgy and bald or
Tie Ning
Robert Colton
Warren Adler
Colin Barrett
Garnethill
E. L. Doctorow
Margaret Thornton
Wendelin Van Draanen
Nancy Pickard
Jack McDevitt