his coming. He would like to fill her with faith before painting a Madonna who still felt the awe of the Annunciation, but had already united it with the sweet confidence of coming fulfilment. And around his Madonna he imagined a mild landscape, a day just before the coming of spring, with white clouds moving through the air like swans drawing the warm weather along on invisible threads, with the first tender green showing as the moment of resurrection approached, flowers opening their buds to announce the coming of blessed spring as if in high, childlike voices. But the girl’s eyes still seemed to him too timid and humble. He could not yet kindle the mystic flame of the Virgin’s Annunciation and her devotion to a sombre promise in those restless glances; the deep, veiled suffering of her race still showed there, and sometimes he sensed thedefiance of the Chosen People at odds with their God. They did not yet know humility and gentle, unearthly love.
With care and caution he tried to find ways to bring the Christian faith closer to her heart, knowing that if he showed it to her glowing in all its brightness, like a monstrance with the sun sparkling in it to show a thousand colours, she would not sink down before it in awe but turn brusquely away, seeing it as a hostile sign. There were many pictures taken from the Scriptures in his portfolios, works painted when he was an apprentice and sometimes copied again later when he was overcome by emotion. He took them out now and looked at the pictures side by side, and soon he felt the deep impression that many of them made on his mind in the trembling of his hands, and the warmth of his breath on his cheeks as it came faster. A bright world of beauty suddenly lay before the eyes of the lonely girl, who for years had seen only the swollen figures of guests at the tavern, the wrinkled faces of old, black-clad women, the grubby children shouting and tussling with each other in the street. But here were gentlewomen of enchanting beauty wearing wonderful dresses, ladies proud and sad, dreamy and desirable, knights in armour with long and gorgeous robes laughing or talking to the ladies, kings with flowing white locks on which golden crowns shone, handsome young men who had suffered martyrdom, sinking to the ground pierced by arrows or bleeding to death under torture. And a strange land that she did not know, although it touched her heart sweetly like an unconscious memory of home, opened up before her—a land of green palms and tall cypress trees, with a bright blue sky, always the same deep hue, above deserts and mountains, cities and distant prospects. Its radiant glow seemed much lighter and happier than this northern sky of eternal grey cloud.
Gradually he began telling her little stories about the pictures, explaining the simple, poetic legends of the Bible, speaking of the signs and wonders of that holy time with such enthusiasm that he forgot his own intentions, and he described, in ecstatic terms, the confidence in his faith that had brought him grace so recently. Andthe old man’s deeply felt faith touched the girl’s heart; she felt as if a wonderful country were suddenly revealed to her, opening its gates in the dark. She was less and less certain of herself as her life woke from the depths of the dark to see crimson light. She herself was feeling so strange that nothing seemed to her incredible—not the story of the silver star followed by three kings from distant lands, with their horses and camels bearing bright burdens of precious things—nor the idea that a dead man, touched by a hand in blessing, might wake to life again. After all, she felt the same wonderful power at work in herself. Soon the pictures were forgotten. The old man told her about his own life, connecting the old legends with many signs from God. He was bringing to light much that he had thought and dreamt of in his old age, and he himself was surprised by his own eloquence, as if it were
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