The Collected Stories of Eudora Welty

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Authors: Eudora Welty
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if to say, "Won't you come with us?"
    "To work so many years, and then to miss the train," Ellie said.
    You saw by her face that she was undauntedly wondering, unsatisfied, waiting for the future.
    And you knew how she would sit and brood over this as over their conversations together, about every misunderstanding, every discussion, sometimes even about some agreement between them that had been all settled—even about the secret and proper separation that lies between a man and a woman, the thing that makes them what they are in themselves, their secret life, their memory of the past, their childhood, their dreams. This to Ellie was unhappiness.
    They had told her when she was a little girl how people who have just been married have the custom of going to Niagara Falls on a wedding trip, to start their happiness; and that came to be where she put her hope, all of it. So she saved money. She worked harder than he did, you could observe, comparing their hands, good and bad years, more than was good for a woman. Year after year she had put her hope ahead of her.
    And he—somehow he had never thought that this time would come, that they might really go on the journey. He was never looking so far and so deep as Ellie—into the future, into the changing and mixing of their lives together when they should arrive at last at Niagara Falls. To him it was always something postponed, like the paying off of the mortgage.
    But sitting here in the station, with the suitcase all packed and at his feet, he had begun to realize that this journey might, for a fact, take place. The key had materialized to show him the enormity of this venture. And after his first shock and pride he had simply reserved the key; he had hidden it in his pocket.
    She looked unblinking into the light of the lantern on the floor. Her face looked strong and terrifying, all lighted and very near to his. But there was no joy there. You knew that she was very brave.
    Albert seemed to shrink, to retreat.... His trembling hand went once more beneath his coat and touched the pocket where the key was lying, waiting. Would he ever remember that elusive thing about it or be sure what it might really be a symbol of?... His eyes, in their quick manner of filming over, grew dreamy. Perhaps he had even decided that it was a symbol not of happiness with Ellie, but of something else—something which he could have alone, for only himself, in peace, something strange and unlooked for which would come to him....
    The red-haired man took a second key from his pocket, and in one direct motion placed it in Ellie's red palm. It was a key with a large triangular pasteboard tag on which was clearly printed, "Star Hotel, Room 2."
    He did not wait to see any more, but went out abruptly into the night. He stood still for a moment and reached for a cigarette. As he held the match close he gazed straight ahead, and in his eyes, all at once wild and searching, there was certainly, besides the simple compassion in his regard, a look both restless and weary, very much used to the comic. You could see that he despised and saw the uselessness of the thing he had done.

KEELA, THE OUTCAST INDIAN MAIDEN
    One morning in summertime, when all his sons and daughters were off picking plums and Little Lee Roy was all alone, sitting on the porch and only listening to the screech owls away down in the woods, he had a surprise.
    First he heard white men talking. He heard two white men coming up the path from the highway. Little Lee Roy ducked his head and held his breath; then he patted all around back of him for his crutches. The chickens all came out from under the house and waited attentively on the steps.
    The men came closer. It was the young man who was doing all of the talking. But when they got through the fence, Max, the older man, interrupted him. He tapped him on the arm and pointed his thumb toward Little Lee Roy.
    He said, "Bud? Yonder he is."
    But the younger man kept straight on

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