message.â
âAnd?â
âThey hung up.â
âThe press?â
âMy advice: donât give them anything.â
âDid you hear about the rape?â
âI got Crabbie to tell me everything. Different hands? Pieces of music? Queer sex? This thingâs far too complicated already,â McCallister muttered darkly.
McCallister was close to fifty, a twenty-five-year man with a lot of experience both before and after the Troubles.
âHave you ever seen anything like this before?â I asked.
âNo, I havenât and I donât like it.â
âMe neither.â
âAre you eating that cake?â
Alan walked me back to my car and I drove to the centre of Carrickfergus.
A bunch of kids were walking around aimlessly. There was nothing for them to do with school cancelled except that there was always potential for a rumble since the Proddy kids were easily identifiable by their red, white and blue school uniforms and the Catholics by their uniforms of green, white and gold.
There were few actual shoppers. Since ICI had shut downthe centre of Carrick had withered. The bookshop had closed, the shoe shop had closed, the baby clothes shop had closed â¦
I easily found a parking place on West Street and dandered past a boarded-up grocers before I came to Sammy McGuinn, my chain-smoking, short-arsed, Marxist barber.
Heâd given me two good haircuts since Iâd come here which was a high batting average for Ulster and probably why he was still in business.
I went in and sat down in the waiting area.
He was finishing work on a man in a brown suit with a ridiculous comb-over. Sammy was only five five and he had lowered his customer practically to floor level.
âNationalism is a plot by international capitalism to keep the working classes from uniting. Irish independence separated the working classes of Dublin, Liverpool and Glasgow which destroyed the union movement forever in these islands just when capitalism was entering its crisis stage â¦â he was saying.
I tuned him out and read the cinema reviews in
Socialist Worker
.
Raiders of the Lost Ark
sounded promising despite âits patronizing caricatures of third-world manual labourersâ.
When Sammy was finished with his customer I showed him the musical score.
As well as being Carrickâs only remaining barber Sammy was a violinist with the Ulster Orchestra and had two thousand classical records in his flat above the shop. A collection he had shown me when heâd found out from Paul at CarrickTrax that I bought the occasional classical record and that Iâd done ten years of piano. Ten years of piano under protest.
âWhat do you make of that?â I asked him, showing him the photocopy of the music.
âWhat about it?â
âWhat is it?â
âSurprised at you, Sean. I thought you knew your onions,â he said, with an irritating sneer.
Like a lot of barbers, Sammy was completely bald and that chrome dome really invited a Benny Hill slap right about now.
His lips were tightly shut. He wanted the words:
âNo, I really donât know,â I said.
âPuccini,
La Bohème
!â he announced with a laugh.
âAye, I thought it was Puccini,â I said.
âYou say that now. Anybody could say it now.â
âThe words are missing, arenât they? Itâs not the overture, is it?â
âNo.â
âYou donât happen to know what the missing words are, by any chance?â
âOf course,â he said with an eye roll.
âGo on then!â
â
Che gelida manina, se la lasci riscaldar. Cercar che giova? Al buio non si trova. Ma per fortuna é una notte di luna, e qui la luna, l abbiamo vicina
,â he sang in a surprisingly attractive baritone.
âVery nice.â
âDo you need a translation?â
âUhm, something about hands, fortune, the moon?â
âYour little hand is freezing. Let me
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