all the cars parked along the side of the road. Fifteen minutes later I’m driving to the address on page two of the folder I picked up earlier. I’m in a Honda that’s ten years old and has the aroma of cigarette smoke stained into the seats and carpet, but despite that it’s a pretty nice ride. I find them easier to steer without the weight of a body in the trunk. I drive slowly past Daniela Walker’s house. It is a two-story town house that looks like it was built only yesterday—bright red brick, dark brown steel roof, aluminum window framing. I’m surprised there’s no price tag hanging off one of the corners. The garden is looking scruffy, not that it’s very extensive: a few shrubs, a couple of baby trees, clumps of flowers that have wilted in the sun. No price tags on those either. The driveway is paved with paving stones. A pathway to the front door is cobbled with cobblestones. The lawn is dry and long. The mailbox is full of circulars. A gardengnome with painted red pants and a painted blue shirt is lying on its side in the garden. It looks like it’s been shot.
I circle the block and come back, then, satisfied nobody is watching, I pull up outside. I hop out of the car, straighten my tie, adjust my jacket, then realize the back of my pants have been tucked into my socks on the left side. I flick it out. I take my briefcase to the front door with me. I seldom leave it behind.
Knock.
Wait.
Knock again.
Wait. Again.
Nobody home. Just as the report confirmed. Since the murder, the husband—who I have already chalked up as suspect number one—hasn’t been back in the house. His mail has been redirected to his parents’ house, where he’s now staying with the kids.
The police tape crisscrossing the front door was taken down two days after the murder. That’s the sort of thing that invites trouble. Invites vandalism. It’s like putting up a large button with a sign saying Don’t Push. I figure it’ll be a miracle if I walk inside and don’t find giant penises painted all over the walls and the furniture not nailed down missing. I fish into my pocket and find my keys hiding beneath my handkerchief. Fumble with the lock for maybe ten seconds. I’m good at this.
I take a quick glance over my shoulder into the street. I’m all alone.
I open the door and walk inside.
CHAPTER NINE
Sally leaves work the same time Joe does, and though she tries to catch up to him, even calls out to him more than once, he doesn’t hear her. He reaches the bus stop, and a moment later the bus pulls away, spitting out a cloud of diesel fumes, some of which stick to the back of the bus, the rest disappearing into the air. She’s curious about where Joe goes. Sometimes he walks, sometimes he catches the bus. Does he live with his parents? Does he live with others like him? One of the things she likes the most about Joe is that he appears independent, and it wouldn’t surprise her if he lived in a flat or an apartment somewhere, fending for himself. Does he even have family? He’s never spoken of them. She hopes he does. The idea of Joe being all alone in this world is unsettling. She must make more of an effort to involve herself in his life, the same way she would want people to involve themselves in Martin’s life. If he were still alive.
He would be twenty-one today. What would they have been doing to celebrate? They would have thrown a party,invited family and friends, strung up a bunch of balloons and stabbed twenty-one candles into a chocolate cake shaped like a racing car.
She walks toward the parking building where she keeps her car. She ought to offer Joe rides home—he might like that. And she’d get to know him better too. Tomorrow she’ll ask him.
Christchurch is beautiful, she thinks, and she especially loves walking alongside the Avon River with its dark waters and lush, green banks—a strip of nature running through the city. Though the banks aren’t quite as lush as normal because of the
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