The Chateau

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Authors: William Maxwell
Tags: Contemporary
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doors opened onto the terrace and made the drawing room well lighted even on a gray day. The circle of chairs where they were sitting now was in front of one of the fireplaces. At the other end of the room, in front of the other fireplace, there were two small sofas andsome chairs that were not arranged for conversation. In its proportions and its use of color and the taste with which it was furnished, it was unlike any drawing room he had ever seen. The more he looked at it, the more strange and beautiful it became.
    The sermon had exceeded the expectations of the company, and they continued to talk about it complacently until the servant girl opened the hall doors and removed the folding screen. The women rose and started toward the dining room. M. Carrère had to be helped from his chair, and then, leaning on his cane, he made his way into the hall. Harold, lightheaded with the success of his story, waited for the Canadian to precede him through the doorway. The Canadian stopped too, and when Harold said: “After you,” he changed. Right in front of Harold’s eyes he stopped being a facsimile of a Frenchman and became exactly like an American. With his hand on Harold’s shoulder, he said: “Go on, go on,” goodnaturedly, and propelled him through the door ahead of him.
    In the dining room Harold found himself seated between Mme Carrère and old Mme Bonenfant. Mme Carrère was served before him, and he watched her out of the corner of his eye, and was relieved to see that there was no difference; table manners were the same here as at home. But his initial attempts to make conversation met with failure. Mme Carrère seemed to be a taciturn woman, and something told him that any attempt to be friendly with her might be regarded as being overfriendly. Mme Bonenfant either did not understand or was simply not interested in his description of the terraced gardens of Mont-Saint-Michel.
    George Ireland, the American boy who had spent the previous summer at the château and was indirectly responsible for their being here now had said that it was one of his duties to keep Mme Bonenfant’s water glass filled. Harold saw that there was a carafe of water in front of him and that her glass was empty.Though she allowed him to fill it again and again during dinner, she addressed her remarks to M. Carrère.
    As the soup gave way to the fish and the fish in turn to the entree, the talk ranged broadly over national and international politics, life in Paris before the war, travel in Spain and Italy, the volcanic formations of Ischia, the national characteristics of the Swiss. In his effort to follow what was being said around the table, Harold forgot to eat, and this slowed up the service. He left his knife and fork on his plate and, too late, saw them being carried out to the pantry. A clean knife and fork were brought to him with the next course. Mme Viénot interrupted the flow of wit and anecdote to inquire if he understood what was being said.
    â€œI understand part of it,” he said eagerly.
    A bleak expression crossed her face. Instead of smiling or saying something reassuring to him, she looked down at her plate. He glanced across the table at Barbara and saw, with surprise, that she was her natural self.
    After the dessert course, Mme Viénot pushed her chair back and they all rose from the table at once. Mme Carrère, passing the sideboard, lifted the lid of a faïence soup tureen and took out a box of Belgian sugar. The Canadian kept his sugar in a red lacquer cabinet in the drawing room, and Mme Viénot hers and her mother’s in the writing desk in the petit salon. Harold excused himself and went upstairs to their room. Strewing the contents of the dufflebag over the bathroom floor, he finally came upon the boxes of cube sugar they had brought with them from America. When he walked into the drawing room, the servant girl had brought the silver coffee service and Mme

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