There are many women your age who are happy. They donât all think the way you do, and you shouldnât go on believing they do. Iâll tell you whatâs at stake here, itâs your anger, your sorrow alone. At the risk of repeating myself, there are many women your age who are happy. Youâll start making great progress if you understand this. Life doesnât stop, Alicia, and those who want to stop theflow of life are bound to lose. Iâm sorry, but this is just a bad period to get through. You may be under the impression that your ex-husband can do everything and you can do nothing, but things will get better; you must simply be a bit more patient. You seem to enjoy being bitter and despondent. But if you face reality, you will see that not all women are bored the way you are. Forgive me, Alicia, but itâs not a child you need to lose to feel less bored, itâs your money.
ALICIA
Youâre right, itâs time to pay for my session, but you might have pointed it out more courteously.
VITTORIO
That was not what I wanted to point out.
ALICIA
Of course it was.
VITTORIO
Youâre wrong, Alicia.
ALICIA
Of course Iâm wrong. I should never have had this conversation with you, with a man. I should have thought of this before. One should always choose a psychoanalyst of the same sex.
Eva Maria looks at herself in the mirror. Moves closer. Runs her hands over her face. Her daughter had her nose, the shape of her eyes, but not the same color, just the shape. Stella also had a dimple in her chin. Like the bed of a cherry stone. Eva Maria didnât like it on herself, but on Stella she always thought it was prettyâadorable when she was a child, lovely when she had grown up. The paradox of motherhood was that now that dimple was what Eva Maria liked best of all about her face. Eva Maria moves closer to the mirror. Her fingers slide across her face. Her cheeks. Her neck. Her skin is fading, itâs true. And itâs true she never looks at herself. And itâs true she no longer sees herself. Eva Maria places both hands on the edge of the sink. Does not take her eyes off herself. She opens the mirror of the small bathroom cabinet. She takes out a little white makeup bag that has yellowed slightly over time. She takes out her mascara. Tries to paint her eyelashes. She has shed so many tears that she is no longer used to putting on makeup. The mascara has dried out. Eva Maria gives up. Not altogether. She puts a little bit of lipstick on her lips. She looks in the mirror. For once she doesnât look at her dimple. Or her nose. Or the shape of her eyes. But she doesnât judge the result for all that; she doesnât pout or even smile. You canâtdo everything the first time. Eva Maria closes the little white makeup bag. Yellowed with age. She listens to the sound of the zipper. Her eyes without mascara are shining. Eva Maria has an appointment with Vittorio. He is going to be pleased with what she has found.
ââI should have thought of it sooner. One should always choose a psychoanalyst of the same sex.ââ
Eva Maria stresses the last two sentences. Emphatically. Like a bad actress laying it on thick when the text alone would be enough. Her mouth is dry from reading so much. The lipstick has faded. Eaten away by words. Eva Maria gathers up the typed pages. She looks at Vittorio sitting opposite her. She is like a child waiting to be congratulated. Vittorio smiles, in spite of himself. Surely a nervous smile.
âAlicia is a desperate woman. Not a murderer.â
âAnd yet killing seems to be the most extreme expression of despair.â
Vittorio shakes his head.
âNot always. And above all, not in Aliciaâs case.â
Eva Maria sits up straight.
âBut she goes on and on about how much she hates young women, and about your wife. This last session clearly indicates what she was capable of.â
âOn the day we had that
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