need fixing.â
âI donât know what you mean.â Terry shrugged. âI think the Cat is all rightâit runs good, doesnât it?â
âItâs great. But it could use a little more . . . just a little more. Thatâs what Wayne does. Makes things work a little better.â
âAnd you donât seem broken. Those guys didnât touch you, as far as I could see.â
Waylon shook his head. âItâs not physical. I shouldnât have done that to them. They were just a couple of good old boys getting drunk.â
âThey threw a bottle at me.â
âAt the car,â Waylon corrected. âJust being stupid. I . . . hit . . . them wrong. The wrong way. One of them wonât ever be right again.â He trailed off, grew quiet, then smiled sadly. âWeâll talk to Wayne a couple of days, work on the car, smooth the world out a little.â
For a few minutes they moved in silence except for the wind coming over and around the windshield. Terry heard a meadowlark singing as they passed a fence post, a whip of sound, high and beautiful and gone before it really registered, and then Waylon was slowing.
âAlong here, somewhere. Look for a metal sign cut in the shape of an artistâs palette. . . .â
âA what?â
âA paletteâwhat they mix paint on. . . . Ahh, there, see it?â
Terry caught a glimpse of a funny oblong metal sign with dabs of color around the outside edge and the word
ART
directly in the center. It seemed to be faded a bit, but they were past it too fast for him to tell anything else about it.
Waylon steered off the highway down a gravel road for a mile or so, then off that road onto a quarter-mile-long driveway, and as they came to the end of the driveway, around a bend and past some trees, Terry saw a large metal building. It was rusty and run down. Next to it stood an old trailer house, also run down and tired-looking, and everywhere else, or so it seemed, there were parts of cars and motorcycles rusting away.
âItâs a junkyard,â Terry said.
Waylon shook his head. âNo. Itâs a place to create things. Come on.â
The metal building had a large front door and a smaller door to the side. Waylon entered the side door without knocking and Terry followed, expecting it to be dark inside.
Instead the walls and ceiling were painted flat white and large floodlights lit the center so brightly Terry squinted and had to close his eyes.
He opened them to see a woman standing on a small platform, leaning against a tall stool with her arm across it, facing him full on.
She was completely, absolutely stark naked.
âUnnnhhh.â Terry stopped dead and thought he should turn, knew he should turn, at least close his eyes.
He could do none of those things. He stood and stared. She was the most beautiful woman heâd ever seen, more beautiful than pictures in the magazines he had under his mattress at home. And there she stood. Wearing air.
The woman ignored him, and Waylon. Did not move. To the side a man who looked like he was completely made of hair and wearing only a pair of impossibly torn Leviâs had an easel set up with a large canvas on it There was a painting of the woman on the canvas, and the man turned as Waylon came in.
âWaaiiilll-on!â he yelled. He dropped the brush on a shelf on the easel and grabbed Waylon and hugged him. âHow in hell
are
you? I heard you was dead. They said a train killed you, but I knew that was a lie. It would take more than a train. . . .â
âIt was another guy. I was next to him when the train hit him and they thought it got us both. You know how rumors are.â
âRight, right.â Wayne suddenly seemed to notice Terry. âWhoâs your friend?â
âA traveling companion, name of Terry. He picked me up two nights ago and weâve had a little trouble and
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