Whatâve you got inside it these days?â
âKentucky cheroots. Why?â
âLet me have one.â
Walker produced his case, and handed Christophel one of the cheroots. He took the parchment with Walkerâs list of words and wrapped it around the little cigar. Then he lit and smoked them both almost completely down to ash in a single, impossibly long pull. He let the ash crumble into a saucer. After that, Christophel dropped the smoldering end into his still-coated right hand, peeled the tallow from his palm, and folded it around the remains of the cheroot. He placed the odd little parcel in the center of the table.
Inside the tallow envelope, the red butt of the cigar glowed for a moment, threatening to melt through its enclosure, then died.
âHoodoo conjurors do much of their work through the ofÂfices of spirits,â Christophel said as he watched the embers go out. âWhen a spirit does a conjure doctorâs bidding, itâs because the doctor has a relationship with the spirit. Heâs asked for the spiritâs good graces and, having received them, can bid that spirit to do good works or bad, so long as the biddingâs done with complete faith. Mr. Bones, be so kind as to bring me that purple candle by your elbow.â
Christophel took another thin china saucer from one of the pigeonholes in the cabinet and two bottles from another. âBut faith is a slippery thing. I never did like the idea of trusting in spirits that way. Mr. Walker, you should find a feathered monstrosity of a hat somewhere on the desk over there that I believe has a hatpin stuck through it. I need the hatpin.â
Walker retrieved the pin, and he and Bones looked on as Christophel uncorked the bottles and poured liquid from each onto the dish. The smells made them easy to identify: vinegar and bitters.
âHatpin, please,â Christophel said to Walker, and rolled it in the vinegar-and-bitters mixture. âWhat I wanted was something I could control completely, something with a logic that would make its workings perfectly predictable. Candle, please.â
âIs there such a thing?â Bones asked, handing him the purple taper. âSeems rather a lot to ask of anyone or anything, that kind of obedience.â
Christophel ran the length of the pin through the candle flame, making it spark and sputter. âThereâs a trick to it, of course,â he replied. âThe key that sets praxis apart from conjury. The thing, Walker, that enables
my
kind
to work this sort of art.â
He circled the table, drawing jagged boundaries in the tallow surface with the hatpin, boundaries that slowly resolved themselves into a rough outline of the map beneath. âThe key is not to let the daemon know itâs being asked.â
âThe demon?â Bones demanded. âYouâre talking about messing with demons
?
Are you utterly mad?â
Christophel shook his head. âThese are not the sort of thing you mean when you use the word.â
âI told you,â Walker said tightly to Bones. âI warned you.â
âStop behaving like children,â Christophel snapped. He pointed the pin at Walker. âYouâre one of the last of the race of the High Walkers. Heâs a goddamn . . . what the hell
are
you, anyway, Bones? And Iâve been roaming this earth since before the walls of Pandemonium were built. We arenât humans, afraid of our shadows.â
The pin shook in Christophelâs hand, but neither Walker nor Bones noticed. Something else was happening to the conjuror. Across his brow, beads of dampness, like sweat, had begun to form. Only it wasnât sweat. The beads were watery red.
âItâs a fair question,â Bones said softly, staring at the red droplets on Christophelâs skin.
âDo you know who I
am?
â Christophel snarled. A large drop slid down his face, leaving a crimson line between his eyes and down his
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