caused trouble, even when the morenas used to come after me with scissors because of my straight-straight hair. I stayed at home and made sure Oscar was fed and that everything ran right while she was at work. I raised him and I raised me. I was the one. You’re my hija, she said, that’s what you’re supposed to be doing. When that thing happened to me when I was eight and I finally told her what he had done, she told me to shut my mouth and stop crying, and I did exactly that, I shut my mouth and clenched my legs, and my mind, and within a year I couldn’t have told you what that neighbor looked like, or even his name. All you do is complain, she said to me. But you have no idea what life really is. Sí, señora. When she told me that I could go on my sixth-grade sleepaway to Bear Mountain and I bought a backpack with my own paper-route money and wrote Bobby Santos notes because he was promising to break into my cabin and kiss me in front of everyone I believed her, and when on the morning of the trip she announced that I wasn’t going and I said, But you promised, and she said, Muchacha del diablo, I promised you nothing, I didn’t throw my backpack at her or pull out my eyes, and when it was Laura Saenz who ended up kissing Bobby Santos, not me, I didn’t say anything, either. I just lay in my room with stupid Bear-Bear and sang under my breath, imagining where I would run away to when I grew up. To Japan maybe, where I would track down Tomoko, or to Austria, where my singing would inspire a remake of The Sound of Music . All my favorite books from that period were about runaways. Watership Down, The Incredible Journey, My Side of the Mountain , and when Bon Jovi’s “Runaway” came out I imagined it was me they were singing about. No one had any idea. I was the tallest, dorkiest girl in the school, the one who dressed up as Wonder Woman every Halloween, the one who never said a word. People saw me in my glasses and my hand-me-down clothes and could not have imagined what I was capable of. And then when I was twelve I got that feeling, the scary witchy one, and before I knew it my mother was sick and the wildness that had been in me all along, that I tried to tamp down with chores and with homework and with promises that once I reached college I would be able to do whatever I pleased, burst out. I couldn’t help it. I tried to keep it down but it just flooded through all my quiet spaces. It was a message more than a feeling, a message that tolled like a bell: change, change, change.
It didn’t happen overnight. Yes, the wildness was in me, yes it kept my heart beating fast all the long day, yes it danced around me while I walked down the street, yes it let me look boys straight in the face when they stared at me, yes it turned my laugh from a cough into a long wild fever, but I was still scared. How could I not be? I was my mother’s daughter. Her hold on me stronger than love. And then one day I was walking home with Karen Cepeda, who at that time was like my friend. Karen did the goth thing really well; she had spiky Robert Smith hair and wore all black and had the skin color of a ghost. Walking with her in Paterson was like walking with the bearded lady. Everybody would stare and it was the scariest thing, and that was, I guess, why I did it.
We were walking down Main and being stared at by everybody and out of nowhere I said, Karen, I want you to cut my hair. As soon as I said it I knew. The feeling in my blood, the rattle, came over me again. Karen raised her eyebrow: What about your mother? You see, it wasn’t just me, everybody was scared of Belicia de León.
Fuck her, I said.
Karen looked at me like I was being stupid—I never cursed, but that was something else that was about to change. The next day we locked ourselves in her bathroom and downstairs her father and uncles were bellowing at some soccer game. Well, how do you want it? she asked. I looked at the girl in the mirror for a long time.
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