body.
âTighter, young sir, tighter!â cries Mr. Dorian.
âI donât want to hurt her,â Will says.
Laughter rises from the audience.
âYou wonât hurt me,â she says, just to him. âGo ahead.â
âItâs you, isnât it?â he whispers.
She gives a quick, almost imperceptible nod.
He knots the rope many times. âYou have my sasquatch tooth,â he murmurs.
âI know.â
Will winds the chains around her and fastens them with heavy padlocks, then tests the locks to make sure they are secure.
âThank you, young sir. Now if you will step to one side . . .â
Her eyes meet his once more before she turns her attention to the front.
With a flourish Mr. Dorian throws an enormous silk scarf over her, and sheâs transformed into a giant cocoon, wriggling about to the sound of clanking chains as she tries to free herself. Will can hear the steady sound of her breathing.
âSurely thatâs long enough!â exclaims Mr. Dorian after only fifteen seconds, and he impatiently grabs hold of the silk scarf and yanks it off.
The audience gasps, for the girl is no longer there. All thatâs left is the rope and chains in a pile on the floor.
âLadies and Gentlemen!â cries Mr. Dorian with a tip of his hat. âThe disappearing act!â
*Â Â Â *Â Â Â *
The applause is still going strong when Mr. Beecham, the conductor, takes Willâs arm and says, âYou can go back to your seat now, lad.â Will watches as Mr. Dorian strides behind the screen and is gone.
âI want to talk to them.â
âWilliam!â his father calls. He turns to see his father looking at him expectantly.
âWhere are they staying?â Will asks Mr. Beecham. In his haste heâs forgotten to be nervous.
âThey have rooms in second class for the night. Tomorrow theyâll return to their own cars during our stop.â
âWill!â his father calls again.
More than anything Will wants to run after Maren and talk to her, but he reluctantly hurries back to his father.
âThe key,â he says to Will.
Will fishes it out of his pocket and presses it into his fatherâs hand. âI wanted to ask the magician something,â he says.
His father looks a bit surprised but then nods. âIâll see you back in the stateroom.â
Willâs on the move at once, squeezing his way between people and chairs. When he reaches the Terrace car, the crowd
thins, but then thickens again near the dining car. She canât be too much farther ahead. Past the kitchens a child is sprawled on the floor, having a temper tantrum as his weary mother cajoles him to stand. Will jumps over him. He spots a steward.
âThe circus man and his assistant?â he asks. âDid you see them?â
âJust a few moments ago.â
Will jogs through the hurtling train. He reaches the end of another carriage and opens the door to a gust of startlingly chilly night air. A brakeman in coveralls stands at the corner of the small platform, the tip of his cigarette flaring orange. He nods curtly at Will.
Through the next doorâand heâs suddenly in a garden, as warm as a hothouse. Tall plants rise all around him. Birds shriek from the high glass ceiling. It smells like summer. Fairy lanterns light a paved path. He rushes past a burbling fountain.
Will barrels on through the pungent fug of a cigar lounge. In the next car he slows down to cross the slippery deck of the swimming pool. The water flashes with color, and, startled, he looks down to see all manner of exotic fish darting about. Peering harder, he realizes theyâre contained in a shallow aquarium along the poolâs bottom.
He keeps going, past a small cinema and the smell of roasted almonds and popcorn. How can Maren and Mr. Dorian have gotten so far ahead? The train is endless, juddering, shuddering, steaming along its steel road. He
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