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Authors: Deborah Harkness
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call mark, “Manuscrito Gonçalves 4890 , ” was inked onto the flyleaf . Someone—Gallowglass, no doubt—had removed the first page. Once it had been covered with my tentative attempts to record my name. The blots from that missing leaf had seeped through to the page below, but the list I’d made of the Elizabethan coins in circulation in 1590 was still legible. I flipped through the rest of the pages, remembering the headache cure I’d attempted to master in a futile attempt to appear a proper Elizabethan housewife. My diary of daily happenings brought back bittersweet memories of our time with the School of Night. I’d dedicated a handful of pages to an overview of the twelve signs of the zodiac, copied down a few more recipes, and scribbled a packing list for our journey to Sept-Tours in the back. I heard the gentle chime as past and present rubbed against each other, and I spotted the blue and amber threads that were barely visible in the corners of the fireplace.
“How did you get this?” I said, focusing on the here and now.
“Master Gallowglass gave it to Dom Fernando long ago. When he arrived at Sept-Tours in May, Dom Fernando asked me to return it to you,” Alain explained.
“It’s a miracle anything survived. How did you manage to keep all this hidden from me for so many years?” Matthew picked up the silver rat trap. He had teased me when I’d commissioned one of London’s most expensive clockmakers to make the mechanism to catch the rats prowling our attics in the Blackfriars. Monsieur Vallin had designed it to resemble a cat, with ears set on the crossbars and a little mouse perched on the fierce feline’s nose. Matthew deliberately sprang the mechanism, and the cat’s sharp teeth dug into the flesh of his finger.
“We did as we must, milord. We waited. We kept silent. We never lost faith that time would bring Madame de Clermont back to us.” A sad smile played at the corners of Alain’s mouth. “If only Sieur Philippe could have lived to see this day.”
At the thought of Philippe, my heart skittered. He must have known how badly his children would react to having me as a sister. Why had he put me in such an impossible situation?
“All right, Diana?” Matthew gently laid his hand over mine.
“Yes. Just a bit overwhelmed.” I took up the portraits of Matthew and me wearing fine Elizabethan clothing. Nicholas Hilliard had painted them at the Countess of Pembroke’s request. She and the Earl of Northumberland had given the tiny likenesses to us as wedding gifts. The two of them had been Matthew’s friends at first—along with the other members of the School of Night: Walter Raleigh, George Chapman, Thomas Harriot, and Christopher Marlowe. In time most of them became my friends, too.
“It was Madame Ysabeau who found the miniatures,” Alain explained. “She scoured the newspapers every day looking for traces of you—anomalies that stood out from the rest of the day’s events. When Madame Ysabeau saw these in an auction notice, she sent Master Marcus to London. It’s how he met Mademoiselle Phoebe.”
“This sleeve came from your wedding dress.” Matthew touched the fragile fabric, tracing the outlines of a cornucopia, the traditional symbol of abundance. “I will never forget the sight of you, coming down the hill to the village with the torches blazing and the children clearing the way through the snow.” His smile was full of love and a pleased pride.
“After the wedding many men in the village offered to pay Madame de Clermont court, should you tire of her.” Alain chuckled.
“Thank you for keeping all of these memories for me.” I looked down at the desk. “It’s much too easy to think I somehow imagined everything—that we were never really there in 1590. This makes that time seem real again.”
“Sieur Philippe thought you might feel that way. Alas, there are two more items that require your attention, Madame de Clermont.” Alain held out the ledger.
“How did you get this?” I said, focusing on the here and now.
“Master Gallowglass gave it to Dom Fernando long ago. When he arrived at Sept-Tours in May, Dom Fernando asked me to return it to you,” Alain explained.
“It’s a miracle anything survived. How did you manage to keep all this hidden from me for so many years?” Matthew picked up the silver rat trap. He had teased me when I’d commissioned one of London’s most expensive clockmakers to make the mechanism to catch the rats prowling our attics in the Blackfriars. Monsieur Vallin had designed it to resemble a cat, with ears set on the crossbars and a little mouse perched on the fierce feline’s nose. Matthew deliberately sprang the mechanism, and the cat’s sharp teeth dug into the flesh of his finger.
“We did as we must, milord. We waited. We kept silent. We never lost faith that time would bring Madame de Clermont back to us.” A sad smile played at the corners of Alain’s mouth. “If only Sieur Philippe could have lived to see this day.”
At the thought of Philippe, my heart skittered. He must have known how badly his children would react to having me as a sister. Why had he put me in such an impossible situation?
“All right, Diana?” Matthew gently laid his hand over mine.
“Yes. Just a bit overwhelmed.” I took up the portraits of Matthew and me wearing fine Elizabethan clothing. Nicholas Hilliard had painted them at the Countess of Pembroke’s request. She and the Earl of Northumberland had given the tiny likenesses to us as wedding gifts. The two of them had been Matthew’s friends at first—along with the other members of the School of Night: Walter Raleigh, George Chapman, Thomas Harriot, and Christopher Marlowe. In time most of them became my friends, too.
“It was Madame Ysabeau who found the miniatures,” Alain explained. “She scoured the newspapers every day looking for traces of you—anomalies that stood out from the rest of the day’s events. When Madame Ysabeau saw these in an auction notice, she sent Master Marcus to London. It’s how he met Mademoiselle Phoebe.”
“This sleeve came from your wedding dress.” Matthew touched the fragile fabric, tracing the outlines of a cornucopia, the traditional symbol of abundance. “I will never forget the sight of you, coming down the hill to the village with the torches blazing and the children clearing the way through the snow.” His smile was full of love and a pleased pride.
“After the wedding many men in the village offered to pay Madame de Clermont court, should you tire of her.” Alain chuckled.
“Thank you for keeping all of these memories for me.” I looked down at the desk. “It’s much too easy to think I somehow imagined everything—that we were never really there in 1590. This makes that time seem real again.”
“Sieur Philippe thought you might feel that way. Alas, there are two more items that require your attention, Madame de Clermont.” Alain held out the ledger.
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