what had pulled me toward trouble.
âWell, hello there.â
Paul was standing in the doorway of the balcony, dressed in the white djellaba that the night man had brought up along with the mint tea.
âYou really slept,â I said.
âAnd you?â
âTwelve hours versus your fourteen.â
âFourteen hours?â
âYou needed it.â
âSo did you. And I see that I have no clothes.â
âTheyâre being washed as we speak. That djellaba suits you.â
âThe French have a word for an aging hippie still dressing as if heâs just walked off an ashram: a baba-cool . Even during my year here I never wore a djellaba.â
âBut it now suits your âaging hippieâ look.â
He leaned down and kissed me on the lips.
âI walked into that, didnât I?â he said.
âIndeed you did.â
Now it was my turn to lean over and kiss my husband.
âTea?â
âPlease.â
I poured out two glasses of the mint tea. We clinked them.
â Ã nous, â he said.
âTo us.â
He threaded his hand in mine. We both stared up at the emerging daylight.
âDo you know what this time of day is called?â
âYou mean, besides âdawnâ?â
âYes, besides âdawnâ or âthe break of day.âââ
âThe last oneâs poetic.â
âSo is âthe blue hour.âââ
I let that phrase resonate for a moment or so. Then I tried it out myself.
âThe blue hour.â
âItâs rather lovely, isnât it?â
âIndeed. Neither darkness nor light.â
âThe hour at daybreak or dusk when nothing is as it seems; when we are caught between the perceived and the imagined.â
âClarity and blur?â
âThe pellucid and the obscure? Simplicity masking enigma?â
âNice image,â I said.
He leaned over and kissed me. â Jâai envie de toi .â
And I so wanted him. Especially right now. After all that restorative sleep. After that business in the alley. With the blue hour enveloping us.
He lifted me right out of my chair, his hands under my T-shirt. I pulled him toward me, feeling his hardness against me. Then he was steering us to the bed. And some time later, every neutron in my body was electrified as I bit into his shoulder and I came and came again and again. And then he let out a cry and shot into me.
We lay there, arms around each other, bewildered and, yes, happy.
âOur adventure begins now,â I said.
âIn the blue hour.â
But, in the world beyond our bedroom window, emerging sunlight had already eradicated the dawn.
âThe blue hour has passed,â I said.
âUntil sunset this evening.â
âThe beginning of a day is always more mysterious than the onset of night.â
âBecause you donât know what lies ahead?â
âAt sunset you are more than halfway through the dayâs narrative,â I said. âAt dawn you have no idea what will transpire.â
âWhich is perhaps why the blue is always bluer at dawn. And why a sunset is always more wistful. The entry into night, the sense of another day of life spinning toward its end.â
Paul leaned over and kissed me on the lips.
âAs the Irish would say, âThereâs a pair of us in it.âââ
âHow do you know that expression?â
âAn Irish friend told it to me.â
âWhat Irish friend?â
âSomeone long ago.â
âA woman?â
âPerhaps.â
âPerhaps?â
âOkay, since you asked, her name was Siobhan Parsons. She was a professor of art at University College Dublin and not a bad painter. At the SUNY Buffalo for a year. Unmarried. As mad as a lamp, to use another of her favorite expressions. It lasted between us maybe three months. It was all around twelve years ago, when neither you nor I was aware of each otherâs
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