asked Aragona:
âThis is a wealthy part of town, isnât it?â
The officer nodded his head, clutching his raincoat closed at the neck: âHell, yes, itâs wealthy. The richest neighborhood in the city, as far as that goes. And on the waterfront? Forget about it. These buildings are priceless; theyâre monuments.â
Outside the entrance were a pair of squad cars and an ambulance with its flashers on. Lojacono identified himself and asked one of the two uniformed officers how long theyâd been there.
âTwenty minutes or so, lieutenant. And ten minutes ago the medical examiner got here. In any case, itâs up on the fifth floor.â
âThat means they waited to call us,â Aragona commented. âBefore calling us, they took some time to think it over. They still donât trust us, that much is clear.â
On their way in, Lojacono stopped to take a look at the front door, which showed no signs of forced entry. Then he started up the wide marble staircase.
Aragona, who had headed over to the elevator, followed him: âHey, itâs up on the fifth floor! Why are you taking the stairs?â
The lieutenant went on walking, his eyes fixed on the low, shiny marble steps.
âBecause if youâve just murdered someone, you donât take the elevator when you leave. At least, not always. And if youâre trying to get away, you might just drop something. Or you might trip and fall. Listen, Aragona: Iâm here to do my job, not to tutor you. Watch what I do, try to understand why Iâm doing it, and quit busting my chops. If you really canât figure it out, even through deductive reasoning, then you can ask and Iâll answer. Fair enough?â
The officer looked offended: âIâm an investigator too, you know. And Iâve been to school, I know things. Itâs just that I want to see them in the field, because Iâve never had the opportunity.â
âAnyway, as far as I can tell, thereâs nothing on these stairs. Either the murderer was very careful, or else you were right and he took the elevator. Or maybe he flew away on a gust of wind.â
On the fifth-floor landing, there was just one dark, wooden door, without a nameplate; a red doorbell in the mouth of a small bronze lion was fastened to the doorjamb. Aragona made quite a show of inspecting the side of the door to make sure there was no sign of a break-in. Lojacono smiled, despite himself. After a second, inner door, at the center of which was a pane of frosted glass decorated with what seemed to be a monogram, there was a front hall; daylight came through yet another door, and with it, the sound of an agitated conversation. Lojacono and Aragona continued inside, following the voices.
âJesus, do I have to keep telling you the same things over and over again? If Iâve told you once, Iâve told you a hundred times, a thousand times. You touch nothing, do you get that or not? Nothing, not until Iâm here with the forensic squad. Fucking Christ, these are the ABCs! Donât they teach you anything at all at the academy?â
The man who was talking was about forty, solidly built with very close-cropped hair. He was wearing a sweater and a pair of jeans.
A uniformed cop was objecting weakly: âHey, dottoâ, what did I do wrong? I opened the window to let in a little fresh air, itâs stale and it stinks. Plus you couldnât see a thing, we could have knocked something over. Anyway, I closed the window right away . . .â
The medical examiner was having none of it: âAside from the fact that thereâs no stink in here, because this is a relatively fresh corpse, didnât it occur to you that thereâs a stiff breeze blowing? And weâre up on the fifth floor, after all. If there had been documents and papers, by now you would have ruined everything.â
Lojacono decided it was time for him to speak
Kate Collins
Yukio Mishima
Jaime Rush
Ron Kovic
Natalie Brown
Julián Sánchez
Ce Murphy
Rebecca Zanetti
Emile Zola, Brian Nelson
Ramsey Campbell