slightly; he decided he could stand the kidâs ravings if it meant saving the life of some innocent pedestrian.
âIâm with you. Keep talking.â
âYou know what they call the people who work here, the other cops in this city? They call us the Bastards of Pizzofalcone. Donât you think thatâs great?â
Lojacono shrugged his shoulders: âI donât think itâs anything, personally. Whatâs so great about it?â
The young man looked hard at Lojacono and just missed a bicyclist, who veered sharply away and rode right up onto the sidewalk.
âWhatâs great about it is that if we do something good, then we become heroes; and if we donât do anything at all, then things remain as they were.â
âListen, Aragona, donât you care anything about doing a good job? What if someone wanted to be a cop just so he could be a cop?â
The officer put on an offended expression: âWhy on earth would you say that? Of course thatâs the most important thing. Itâs just that a person has to think about his career too, doesnât he? Certainly, if youâre someone theyâve put out with the trashâsomeone like the four of usâitâs harder to prove that you know how to do your job right. But thatâs exactly why itâs so exciting.â
âPut out with the trash? Thatâs overstating things, isnât it?â
Aragona turned serious.
âListen to me, Iâve seen the files. I can tell you for sure, every one of us is tarred by some black mark. Take Di Nardo: the quiet girl, the one who loves guns. You know youâre not supposed to carry loaded weapons with the safety off inside the station house: thatâs against the rules. Well, she actually discharged her firearm inside the building. And she came
that
close to killing another cop. Can you imagine?â
As he was being tossed between car door and seat, Lojacono was forced to admit: âJust think, that little girl. I would never have taken her for a pistolero. And the other guy, whatâs his name . . .â
âRomano, Francesco Romano. You know what his fellow cops used to call him? They called him Hulk. Behind his back, though, or heâd rip their heads off. He canât control his own strength, much less his anger. The third time he grabbed a suspect by the throat, they suspended him. When he went back on duty, they sent him straight here.â
Lojacono nodded.
âMmm, he did seem a little on edge, thatâs true. And we know everything about me. But what about you, Aragona? Do we know everything about you?â
The young man turned defensive.
âWell, my good Lojacono, in my case, the fact that Iâm . . . that I have a certain name seems to have created overblown expectations. And when everyoneâs looking over your shoulder, you wind up doing something stupid. Or other people make you do something stupid. But I donât give a damn, and sooner or later Iâm going to show everyone just how wrong they were. Maybe with your help. Well, here we are, this is the place. You see what I mean? It only took a couple of minutes.â
Lojacono catapulted himself out of the car.
âOne of these days Iâll have to remember how youâre supposed to thank God for still being alive. Letâs make one thing perfectly clear: next time, Iâm driving. Come on, letâs go.â
And they got out of the car, battered by the wind and the spray from the sea that reached all the way onto the street.
XIV
I n spite of the blustery weather, a small crowd had gathered outside the entrance to the building. The door was on the side of the building, not along the façade that overlooked the sea, and you reached it by walking through the piazza that opened out away from the waterfront, its other side adjoining the large park that was the Villa Comunale.
Lojacono, raising his voice to be heard over the wind,
Warren Adler
Bruce Orr
June Whyte
Zane
Greg Lawrence, John Kander, Fred Ebb
Kristina Knight
Kirsten Osbourne
Margaret Daley
Dave Schroeder
Eileen Wilks