the end to doing little girls in jumpers and frills staring out at sixty.
Amrita leaves and shortly after a maintenance man with a wispy moustache arrives. Again, that sense of a well-oiled operation: help arriving in small, unobtrusive doses. âHow you folks doinâ? Not so good, I guess. Iâm sorry for your troubles.â
A young guy, early thirties at most, yet sounding wise and old-timey, the way the simple-minded can.
âThereâs no hurry, you know. I just want to make sure you know that. This place has a five-day compassion window. Longer than some places, thatâs for sure.â
Longer than Maxâs. âThanks,â I say. âDo you need to do some work?â
He raises and lowers his tool box. A blush seeping out from his ginger hair, as if an old scalp wound has opened. âWell, I just thought Iâd see if I can get her toilet moving better. I had it on my list for yesterday, beforeâ¦â
âItâs all right. Go ahead.â
I follow him into the bathroom and, while heâs down on his knees opening up the tool box, ask him what the problem is. His hands sunk in tools and oddments, he speaks more comfortably.
âWell. It happens sometimes around here. The ladiesânot the men that Iâve seenâthey start putting a lot of things down it. Papers, socks. Underwear. Even slacks and blouses. Sometimes cut up some, if they get ahold of some scissors or a knife. Confused, I guess. You canât blame them. But you donât want to be putting those things down pipes, do you?â
You might if you couldnât fit yourself.
Heâs got a big wrench out and is reaching behind for the valves. âYou folks okay without this for a bit? Thereâs the little sink by her fridge, that still works. And thereâs a bathroom down the hall if you need it.â
âWeâll be fine.â
On the metal frame of the mirror above the sink, two photos under butterfly and beetle magnets. Pictures of Maude, unlike any Iâve seen. Tousle-haired, a wind pushing her perm around, broad smile. The sun full in her face, sparking off her glasses as she turns up into it. Who took these? Just behind her, thick autumn colours: tall white flowers, blue ones, yellow goldenrod, big purple thistles, milkweedâa wild beauty in the disordered clump, bumblebees sunk in blooms or fat blurs lifting off or landing. This time of year âthough not this year, surely. Water in the background, blurry dots that might be ducks or geese. The same day. Reaching out a hand toward a bumblebee on a purple thistleâsmiling, unafraid. Alone again with nature, the photographer forgottenâthe miracles of growing things and small animals she reached out to first, sitting on the ground, before she could walk. Who? Someone she trusted. Probably the same person who added tape behind the magnets. These ones should stay. These ones she should see, morning, night. I slide the magnets aside and peel off the shots. Pocket them.
§
1:00. Small as the room is, weâre going to have to pick up the pace to be ready for Strongbacks in an hour. I decide to break down the bed to give us more room. I look around for Judy, thinking this part might be difficult for her to watch, but sheâs gone.
Bathroom break? She always seemed to recall the needs of her body suddenly, as if it were a mostly silent companion who sometimes tapped her on the shoulder to make a request. Thereâs no telling. Sheâs always taken powders. Ghosting in and out of rooms and scenes. Not her rooms, not her scenes. Drug itch? Drug bladder? Beyond those, just an inability to situate herself anywhere for very long. A psychic vagrant. Long before she was a physical one.
Strange, how work goes faster when the one not working leaves. Non-help not just failing to add but subtracting from whatâs there. Sinkhole of inactionâ¦
Five minutes and the bedâs apart and leaning against the