as high as my face.
Agatha looks up from the cucumbers she is slicing.
âWhat happened to you?â
I tell her the story and drip on the floor.
âMaybe you should race it for her,â Agatha says.
57
âName, please.â
A boy wearing a sign on his chest that says FROG JUMPING COMMISSIONER looks up at me. Behind him, someone has taped a set of rules, written on poster board in thick black paint:
OFFICIAL RULES
No toads.
Any frog jockey who is rough will be asked to leave the race.
A jump is measured by running a string from the start line to the frogâs front feet after it has hopped three times.
DO NOT ARGUE WITH THE FROG COMMISSIONER.
ALL JUDGMENTS ARE FINAL â¢
58
The frog commissioner looks up at me when I donât answer.
âI said, Name, please.â
âUmmmmm.â I try to ride the vibrating wave of the
m
sound, hoping I can break into
Cornelia
without blocking on empty air. I look for Bo in the crowd, even though I donât expect to see her. A boy with a frog twice the size of mine edges forward. âWhatâs going on?â
âIf you want to race, I need your name,â the commissioner says again. âAre you going to race or not?â
I take a deep breath and push my foot into the ground. âC-c-c-c ...â I stop.
âWhat?â
More of the kids behind me move closer now. âC-c-c-c-c ...â I want to sink into the ground.
The commissioner looks at me unbelieving, then laughs. âWhatâs the matter, forget your own name?â
I take another breath and laugh right along with him. Then I spell my name. The easy way out is as simple as J-e-l-l-O.
59
âJockey, on your mark.â A couple dozen kids kneel down around the circumference of the starting circle while I hold my frog in front of me. Theyâre all supposed to keep their frogs under control while I jump mine. This is a one-frog-at-a-time race.
The boy on my left holds a frog with massive legs the size of my entire frog. My frogâs legs look like knitting needles.
One kid loses control of his frog and watches it jump crazily out of the circle and across the pavement and the boy screams out, âStop, stop!â but of course it doesnât listen. I tighten my grip.
âGet ready!â screams the frog commissioner. âGo!â
60
Two chained German shepherds growl and bark as I round the corner and walk up Boâs driveway. A woman walks out of the house and wipes her hands on a dish towel and watches me from the porch. Two toddlers grab at her legs, peeking from behind her floured apron. Her stomach sticks out so far with a baby on the way it looks as if sheâs tucked a laundry basket under her dress.
I glance around quickly for the father. Thereâs no car in the driveway. Several chickens peck at the ground, which is worn thin and bare and hard as an old carpet. A cracked bathtub tilts on the grass, filled with muck.
âIs B-b-b-bo here?â
The mother looks me over. âYou Lenoreâs girl?â Her voice softens. She makes my motherâs name sound welcoming, promising, kind.
I nod.
âBo told me youâre at Agathaâs. You look just like your mother. Like Agatha, too. Come on in. Iâve got something for you.
âBoâs out in the back with the boys. I baked this morning.â We walk into the kitchen and she pulls a chocolate cake out from beneath a checked towel that sits on the stove and wraps it in tinfoil and hands it to me.
âThereâs no frosting on it so it wonât get all over everything. Would you like a piece? Iâve got another. Have a seat.â She points to a table in the middle of the kitchen that sits on an orange and brown braided rug.
The toddlers peek at me from behind her skirt and she drags them along behind her as she pulls a jelly glass from a cupboard and fills it with milk.
Faded curtains cover the window over the sink. An old white sink sits
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