gig elsewhere first), who put his fingers firmly in his ears during Sergeâs extended harmonica solo. (His mate, meanwhile, rose unsteadily to his feet and started clapping along.) It was utterly bizarre and very moving: most musicians wouldnât have bothered turning up, let alone almost killing themselves. And I was remindedâand this happened the last time I saw them play, tooâhow rarely one feels included in a live show. Usually you watch, and listen, and drift off, and the band plays well or doesnât and it doesnât matter much either way. It can actually be a very lonely experience. But I felt a part of the music, and a part of the people Iâd gone with, and, to cut this short before the encores, I didnât want to read for about a fortnight afterwards. I wanted towrite, but I couldnât because of the holidays, and I wanted to listen to Marah, but I didnât want to read no book. I was too itchy, too energized, and if young people feel like that every night of the week, then, yes, literatureâs dead as a dodo. (In an attempt to get myself back on course, I bought Bill Ehrhardtâs book Vietnam-Perkasie , because he comes Marah-endorsed, and provided the inspiration for âRound Eye Blues,â one of their very best songs. I didnât read the thing, though. And their next album is tentatively entitled 20,000 Streets under the Sky , after a Patrick Hamilton novelâIâm going to order that and not read it, too.)
It wasnât as if I didnât try; it was just that very little I picked up fit very well with my mood. I bought Flaubertâs letters after reading the piece about Donald Barthelmeâs required reading list in the Believer [October, 2003], but they werenât rightâor at least, theyâre not if one chooses to read them in chronological order. The young Flaubert wasnât very rock and roll. He was, on this evidence, kind of a prissy, nerdy kid. âfriend, I shall send you some of my political speeches, liberal constitutionalist variety,â he wrote to Ernest Chevalier in January 1831; heâd just turned nine years old. Nine! Get a life, kid! (Really? You wrote those? Theyâre pretty good books. Well⦠Get another one, then.) I am probably taking more pleasure than is seemly in his failure to begin the sentence with a capital letter. You know, as in, Jesus, he didnât know the first thing about basic punctuation! How did this loser ever get to be a writer?
Francis Wheenâs How Mumbo-Jumbo Conquered the World was a better fit, because, well, it rocks: itâs fast and smart and very funny, despite being about how we have betrayed the Enlightenment by retreating back to the Dark Ages. Wheen wrote a warm, witty biography of Marx a few years back, and has a unique, sharp, enviable, and trustworthy mind. Here he dishes it out two-fisted to Tony Blair and George W. Bush, Deepak Chopra and Francis Fukuyama, Princess Diana and Margaret Thatcher, Hillary Clinton and Jacques Derrida, and by the end of the book you do have the rather dizzying sensation that you, the author, and maybe Richard Dawkins are the only remotely sane people in the entire world. Itâs difficult to endorse this book without committing a few cardinal Believer sins: as you may have noticed, some of the people that Wheen accuses of talking bullshit are, regrettably, writers, and in a chapter entitledâThe Demolition Merchants of Reality,â Wheen lumps deconstructionism in with creationism. In other words, he claims there isnât much to choose from between Pat Buchanan and Jacques Lacan when it comes to mumbo-jumbo, and Iâm sorry to say that I laughed a lot. The next chapter, âThe Catastrophists,â gives homeopathy, astrology, and UFOlogy a good kicking, and youâll find yourself conveniently forgetting the month you gave up coffee and mint because you were taking arnica three times a day. (Did you know that