Tell Me a Riddle

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Authors: Tillie Olsen
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would know the past was cherished, still lived in her.
Nursing the baby: My friends marvel, and I tell them, oh it's easy to be such a cow. I remember how beautiful my mother seemed nursing my brother, and the milk just flows . . . Was that Davy? It must have been Davy. . . .
Lowering a hem: How did you ever... when I think how you made everything we wore... Tim, just think, seven kids and Mommy sewed everything... do I remember you sang while you sewed? That white dress with the red apples on the skirt you fixed over for me, was it Hannah's or Clara's before it was mine?
Washing sweaters: Ma, I'll never forget, one of those days so nice you washed clothes outside; one of the first spring days it must have been. The bubbles just danced while you scrubbed, and we chased after, and you stopped to show us how to blow our own bubbles with green onion stalks. . . you always. . . .
''Strong onion, to still make you cry after so many years," her father said, to turn the tears into laughter.
While Richard bent over his homework: Where is it now, do we still have it, the Book of the Martyrs? It always seemed so, wellexalted, when you'd put it on

 

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the round table and we'd all look at it together; there was even a halo from the lamp. The lamp with the beaded fringe you could move up and down; they're in style again, pulley lamps like that, but without the fringe. You know the book I'm talking about, Daddy, the Book of Martyrs, the first picture was a bust of Spartacus . . . Socrates? I wish there was something like that for the children, Mommy, to give them what you. . . . (And the tears splashed again.)
(What I intended and did not? Stop it, daughter, stop it, leave that time. And he, the hypocrite, sitting there with tears in his eyesit was nothing to you then, nothing.)
... The time you came to school and I almost died of shame because of your accent and because I knew you knew I was ashamed; how could I? . . . Sammy's harmonica and you danced to it once, yes you did, you and Davy squealing in your arms. . . . That time you bundled us up and walked us down to the railway station to stay the night 'cause it was heated and we didn't have any coal, that winter of the strike, you didn't think I remembered that, did you, Mommy? . . . How you'd call us out to see the sunsets. . . .
Day after day, the spilling memories. Worse now, questions, too. Even the grandchildren: Grandma, in the olden days, when you were little. . . .
It was the afternoons that saved.
While they thought she napped, she would leave the mosaic on the wall (of children's drawings, maps, calendars, pictures, Ann's cardboard dolls with their great ringed questioning eyes) and hunch in the girls' closet on the low shelf where the shoes stood, and the girls' dresses covered.

 

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For that while she would painfully sheathe against the listening house, the tendrils and noises that knocked, and Vivi's spilling memories. Sometimes it helped to braid and unbraid the sashes that dangled, or to trace the pattern on the hoop slips.
Today she had jacks and children under jet trails to forget. Last night, Ann and Dody silhouetted in the window against a sunset of flaming man-made clouds of jet trail, their jacks ball accenting the peaceful noise of dinner being made. Had she told them, yes she had told them of how they played jacks in her village though there was no ball, no jacks. Six stones, round and flat, toss them out, the seventh on the back of the hand, toss, catch and swoop up as many as possible, toss again. . . .
Of stones (repeating Richard) there are three kinds: earth's fire jetting; rock of layered centuries; crucibled new out of the old (igneous, sedimentary, metamorphic). But there was that otherfrozen to black glass, never to transform or hold the fossil memory ... (let not my seed fall on stone). There was an ancient man who fought to heights a great rock that crashed back down eternally * eternal labor, freedom, labor. . . (stone will perish, but

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