do.â
I had never thought of it that way. The fire had died down again, and Julia crossed her arms over her breasts and gripped each elbow with the opposite hand. She had clutched herself thus in the bedroom on Old Compton Street, but there the chill had been emotional.
âItâs so damned cold,â she said. âI ought to be in bed but I canât sleep. When will you go to Kabul?â
I turned. âI donât know. As soon as I can. A day or two, I suppose.â
âYes.â
âDepending on visas andââ
She stood up abruptly. âCould we make love, do you think?â
âUhââ
âI hate being so awkward about it, but thereâs so little time.â She was facing away from me. I looked at the khaki robe and imagined the body beneath it. âThis ought to be romantic, and instead itâs a damp morning with a dying fire and a memory of nightmares and death.â
âJulia.â
She turned to face me. âAnd I feel neither passionate nor in love, which is an awful thing to admit at such a moment, and I look a frightââ
âYouâre beautiful.â
ââand perhaps itâs obscene to use sex as therapy, but I do want to be in bed and I donât want to be alone, and Iâm not saying this at all well, I know that. When I close my eyes I see that wretched manâs finger. I never actually saw it, I rushed through there without looking at him, but with my eyes closed I see it dismembered and flapping about on the floor like a bisected angle-worm. I shouldnât talk about this, itâs as romantic as a stomach pumpââ
I took her arm. âBe still,â I said.
âEvanââ
I kissed her lips. She said, âI wish we were on a hill in Macedonia. In a little hut in the middle of nowhere eating charred lamb and drinking whatever they drink. I wishââ
âDonât talk.â
âI wish I were ten years younger. Children take this sort of thing so much more casually. I wish I were either more or less emancipated. Iââ
âBe quiet.â
âAll right.â
Â
Her room was small and dark, her bed narrow. We kissed with more love than passion. I felt the warmth of her flesh through her robe. I touched the belt of the robe and she stiffened. âOh, damn,â she said. âYou mustnât look.â
âWhatâs the matter?â
âOh,â she said. âOh itâs so bloody unromantic. If you laugh I shanât blame you, but Iâll never forgive you.â With a defiant flourish she opened the robe. Beneath it she was wearing a one-piece suit of red flannel underwear. I didnât laugh. I just asked if the outfit had a drop seat.
âDamn you,â she said.
I told her she would look pretty whatever she wore. She said it was bad enough that I was seeing her like this but that she couldnât let me watch her remove the garment. I turned around and got out of my clothes. By the time I had finished she was in bed beneath a mountain of quilts and blankets. I joined her, and we huddled together for warmth and love.
I held her close. She pressed her face to my throat while my hands stroked the smooth taut skin of her back and bottom. This, I knew, was what matteredâthe warmth, the closeness. Whether or not we consummated the morningâs entertainment was immaterial. There was no urgency to it, and might not be, and it hardly mattered.
âI wonât be able to bear you a bonnie English bastard,â she whispered. âI take the pill.â
âGood.â
âWouldnât you care for an English bastard?â
âYou talk too much.â
âSilence me with a kiss.â
And it was slow and thoughtful, a sweet sharing with little love and less passion and worlds of warmth and tenderness. Kisses both long and slow, and bits of whispered nonsense, and the comfortable touching of secret flesh.
A
Katelyn Detweiler
Allan Richard Shickman
Cameo Renae
Nicole Young
James Braziel
Josie Litton
Taylor Caldwell
Marja McGraw
Bill Nagelkerke
Katy Munger