him; he became more and more haggard and agitated. Often, after we had returned from one of these scenes of revelry, I have entered his room, and found him lying on his face on the sofa: his hands clinched in his fine hair, and his whole countenance bearing traces of the convulsions of his mind.
The Carnival passed away; the season of Lent succeeded; Passion week arrived. We attended one evening a solemn service in one of the churches; in the course of which a grand piece of vocal and instrumental music was performed relating to the death of our Saviour.
I had remarked that he was always powerfully affected by music; on this occasion he was so in an extraordinary degree. As the peeling notes swelled through the lofty aisles, he seemed to kindle up with fervor. His eyes rolled upwards, until nothing but the whites were visible; his hands were clasped together, until the fingers were deeply imprinted in the flesh. When the music expressed the dying agony, his face gradually sunk upon his knees; and at the touching words resounding through the church, “ Jesu mori ,” sobs burst from him uncontrolled. I had never seen him weep before; his had always been agony rather than sorrow. I augured well from the circumstance. I let him weep on uninterrupted. When the service was ended we left the church. He hung on my arm as we walked homewards, with something of a softer and more subdued manner; instead of that nervous agitation I had been accustomed to witness. He alluded to the service we had heard. “Music,” said he, “is indeed the voice of heaven; never before have I felt more impressed by the story of the atonement of our Saviour. Yes, my friend,” said he, clasping his hands with a kind of transport, “I know that my Redeemer liveth.”
We parted for the night. His room was not far from mine, and I heard him for some time busied in it. I fell asleep, but was awakened before daylight. The young man stood by my bedside, dressed for travelling. He held a sealed packet and a large parcel in his hand, which he laid on the table. “Farewell, my friend,” said he, “I am about to set forth on a long journey; but, before I go, I leave with you these remembrances. In this packet you will find the particulars of my story. When you read them, I shall be far away; do not remember me with aversion. You have been, indeed, a friend to me. You have poured oil into a broken heart,—but you could not heal it.—Farewell—let me kiss your hand—I am unworthy to embrace you.” He sunk on his knees, seized my hand in despite of my efforts to the contrary, and covered it with kisses. I was so surprised by all this scene that I had not been able to say a word.
But we shall meet again, said I, hastily, as I saw him hurrying towards the door.
“Never—never in this world!” said he, solemnly. He sprang once more to my bedside—seized my hand, pressed it to his heart and to his lips, and rushed out of the room.
Here the Baronet paused. He seemed lost in thought, and sat looking upon the floor and drumming with his fingers on the arm of his chair.
“And did this mysterious personage return?” said the inquisitive gentleman. “Never!” replied the Baronet, with a pensive shake of the head: “I never saw him again.” “And pray what has all this to do with the picture?” inquired the old gentleman with the nose—“True!” said the questioner—“Is it the portrait of this crack-brained Italian?” “No!” said the Baronet drily, not half liking the appellation given to his hero; “but this picture was inclosed in the parcel he left with me. The sealed packet contained its explanation. There was a request on the outside that I would not open it until six months had elapsed. I kept my promise, in spite of my curiosity. I have a translation of it by me, and had meant to read it, by way of accounting for the mystery of the chamber, but I fear I have already detained the company too long.”
Here there was a general wish
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