something about how the storm is coming; that I can sur-
vive it. That I can survive anything, because I’m special,
and he won’t just stand by and let them kill me. . . .
Is this real?
I’m not sure. I don’t care. All I know is that I feel safe
for the first time that I can remember. Which isn’t very
long, I know, but I welcome the feeling just the same. For
however long it’s going to last.
73
CHAPTER 8
oices. So many voices in my head. I hear someone talk-
Ving. It’s the red-haired woman, Hodges. She’s talking
to me. No, about me.
“What rotten timing, officer,” she says. “I was just on my way
to see La Bohème. But I’m glad you finally caught her. Truly.
Well done, NYPD.”
The red-haired woman is sitting across from me in a dress that
seems to be made of a hundred yards of purple silk, seed pearls,
and puffs of air.
Flouncy.
That’s the word that comes to me when I look at her.
She’s clutching a fur wrap around her narrow shoulders and
holding a sequined purse in her hand. Her hair is pinned up with
a sparkling hair clip.
We’re in a police interrogation room no bigger than a large
closet. There’s a table and four chairs. One wall is dark glass—an
74
observation window. I glare at it, daring whoever is behind it to
face me.
Sitting next to the red-haired woman is a middle-aged cop. His
holster is visible underneath his suit jacket, and as he leans forward
to pull his chair closer to the table, the handle of his gun knocks
against the armrest and a sprinkle of dandruff lands on the table
in front of him.
The red-haired woman pinches the bridge of her nose like she
has a terrible headache. “I’m glad we can finally bring this to a
close. This vandalism has gone on quite long enough, and as usual,
the media have the story all wrong. She doesn’t look like much of
a hero to me. What do you think, officer?”
“Nah. Not much of one.”
“So how did you catch her? I’m curious.”
“We got an anonymous tip and just waited at the bottom of
the crane. Treed her like a squirrel until she finally had to come
down or fall.”
“Thank you, lieutenant. If it’s all right, do you think I could
talk to her a moment? Privately, I mean. She might feel more com-
fortable if it’s just me, and we might be able to get to the bottom of
all this that much more quickly.”
“Are you sure?”
“I’m sure.”
“I’ll be just outside the door if you need me.”
As he gets up, he gives me a look that says, Don’t try any-
thing or I will stomp on your neck. Then he leaves me with
this woman who I’ve never seen before—even though she’s acting
like she knows me.
75
The red-haired woman rests her elbows on the table and bats
her eyelashes at me.
“New York City,” she says.
She says nothing else for a long while. I look around the room
like I can’t be bothered talking to her and finally ask, “What
about it?”
“New York is soooo welcoming. I would never have believed
it. Here I am, just a poor girl from Georgia. Yet I’ve come all this
way to . . . ”
I roll my eyes.
“You should really listen to this, Sarah. It’s important that
you understand. You see, when people say they grew up poor
and they’re from Georgia, that’s a very different kind of poor.
A whole other level of poor. Even you and your tenement apart-
ment and your mother who’s worked as a domestic her whole
life—even you can’t begin to understand how poor Georgia poor
really is.”
“Is that right?”
“But I come here to New York, scratch and claw my way up
through so many terrible, demeaning jobs. You have no idea how
badly people will treat you when they know you have to take it.
But I learned a few things over the years, and I’ve come to see
what’s really important.”
I stare at her.
“You see, you have to set a goal and not let anything or anyone
stand in the way of
Gilly Macmillan
Jaide Fox
Emily Rachelle
Karen Hall
Melissa Myers
Carol Wallace, Bill Wallance
Colin Cotterill
K. Elliott
Pauline Rowson
Kyra Davis