Tabula Rasa   Kristen Lippert Martin

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forgotten I’m standing
 there.
“I’m starving,” I say.
I remember the sandwich I stuffed into my jacket
 pocket. I go back into the foyer to get it. The sandwich has
 congealed into a gooey ball. I walk back into the tent, sit
 down, and take a bite of the mess in my hand.
Pierce must smell the same thing I do as I bite down:
 slightly spoiled lunch meat. His lip curls in disgust. “What
 are you eating?”
“I don’t know.”
“You might be a lab rat, but you’re not a real rat. No
 need to eat garbage. Go look over there. Lots of delicious
 freeze-dried food to choose from. The instructions are
 on the packets.” He points toward the propane stove with
 the kettle on top. “Make me something, too. Not the beef
 enchiladas, though. They taste like Mexicans.”
“Aren’t enchiladas supposed to taste Mexican?”
70
    “No, I mean they taste like actual Mexicans. Unwashed
 ones.”
He looks at me, and his face goes red faster than a stop-
 light. “No offense.”
“No offense about what?”
“Aren’t you—I mean . . . you could be Mexican, right?”
“What?”
“You look, you know, Mexican. Or something.”
“Right. Or something.”
“Although you’ve got green eyes, so maybe you’re Mex-
 ican and something else mixed together.”
If I had eyebrows, they’d be arching at that comment.
“Maybe you should stop talking now.”
“Yes, maybe I should, before you decide that I’m some
 huge racist jerk and not just an awkward idiot who was
 trying to be funny.”
I turn away from him and look through the plastic
 packets of food. I have green eyes. That’s what Mrs. Este-
 ban told me, too. Until he said it, I wasn’t sure my memory
 could be counted on. But this much is true: I have green
 eyes.  
When the water in the kettle boils, I add it to the con-
 tents of the packet. A few minutes later we are both eating
 hot, gritty chili. I obviously didn’t let the water hydrate the
 food properly, but I was too hungry to wait. My impatience
 has been rewarded with kidney beans hard as pebbles.
Pierce doesn’t seem to notice or care. He eats while look-
 ing at the computer screen. I guess this is how it’s going
71
    to be—him doing whatever he’s doing, and me just sitting
 here watching.
Finally he says, “Seriously, you might as well have a rest.
Maybe take a nap. This is going to take a lot longer than I
 thought.”
He returns to the computer with a look on his face that
I’d call “entranced.” Maybe “obsessed.”
I realize that I don’t just want to sleep; I have to sleep.
But I can’t. The temperature in the yurt is dropping. After
 a few minutes of pacing around and rubbing my hands
 together to stay warm, I see Pierce start shivering, too. He
 keeps mistyping and swearing. Finally he gets up and puts
 a couple of brown bricks into the black pot. The bricks
 smolder, then catch. They smell like candle wax.
My head starts to throb. Maybe the sudden heat is get-
 ting to me. I sway and almost lose my balance.  
“Whoa there. You all right?”
“I’m fine.”
“You’re fine? Well, then lie down until the fineness
 passes.”
I’m about to say no, but can’t think of why I should.
Lying down is a perfectly good idea when you’re about to
 fall down.
I sit down on the mattress, and Pierce lifts my feet up
 and positions them for me before covering me with a blan-
 ket. “Let me know if you need anything.”
I am inexpressibly grateful and so, naturally, I say noth-
 ing.
72
    Pierce sits back down and keeps working. The sound of
 his fingers on the keyboard, the sight of his profile in those
 awful glasses . . . I feel myself starting to drift off.
Just as the world’s edges start to get fuzzy, I hear him
 talking to me, although his voice sounds different. It’s
 deeper and slower and full of reverb; it’s like he’s reciting
 poetry from the far side of a metal tunnel. He’s telling me

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