doesnât take much time.
I feel Oliver looking at me. I turn to face him as if Iâm capable of conversation. âWhy are you eating here ?â I blurt.
Celeste looks at me in surprise. My mom would be so pissed if she heard me bad-mouthing the café to a potential customer. âI mean, itâs kind of far for you,â I add lamely.
Celeste has a new kind of surprise on her face. This isnât an âI canât believe you just said thatâ expression. This is a âyou already know his deets?â face.
I busy myself trying to figure out the best way to eat the soggy burrito. It may be free for me to eat here, but I am so going to start bringing my own lunch.
âI was checking out the grounds,â Oliver explains. âWhen CelÂeste opened up, I realized it had been a long time since breakfast.â
Of course. He took one look at Celeste and followed her inside like a baby duckling after its mama.
A woman with steel-gray hair cut in a short bob pops her head into the café. âDo you know when the lighthouse opens up again?â she asks.
I turn around, still chewing the big bite I took of the burrito, and say, âI can open up if you want.â
âOh, I wouldnât want to interrupt your lunch,â she says, but her tone broadcasts she really wishes Iâd hurry up already and let her in.
I take a swig of the lemonade and stand. I hastily wipe my mouth with a napkin, wad it up, and toss it onto the plate.
âThanks,â I say to Celeste. I pick up the lemonade. âIâll bring the glass back later.â
âSure. You want me to wrap up the burrito?â
âNo thanks.â
I start walking toward the woman, who stands half in, half out of the café doorway.
âHang on, Mandy,â Oliver says behind me. âIâll come too.â
I spin around in disbelief to see Oliver picking up a sketchpad that he had stashed under the counter. Heâs going to leave Celeste and come hang out with me?
But once I struggle with the door and take the womanâs admission fee, it becomes apparent heâs not there to hang out. Heâs back to visit the lighthouse again. âI thought Iâd do some sketching, if thatâs okay,â he says.
âSure. Just . . . if a group wants to go up to the tower, give them room.â
I refuse his five dollars; it seems like a lot to pay since he wasjust here yesterday, and Iâm hoping maybe it will encourage him to keep coming back.
I donât see Oliverâor anyone elseâthe rest of the afternoon. Thatâs not strictly true. Oliver came down from the tower and then walked around outside, sketching Candy Cane from different angles. Whatâs so fascinating?
When I lock up for the day, heâs still outside, sitting at one of the picnic tables behind the Keeperâs Café. My heart sinks. Is he waiting for Celeste? He doesnât look up when I cross to the shed to get my bike. Our great romance is over before it begins.
I slam the shed shut and yank the padlock closed. I walk my bike along the gravel path, the tires spitting up little pebbles. In case Oliver looks up, I donât want him to see me awkwardly mounting the bike. Iâve never quite mastered accomplishing this gracefully. I force myself not to look his way.
âHey,â I hear him call. âYou done for the day?â
I glance over. Heâs standing now, and heading toward me.
âYup,â I say.
âOkay if I walk with you?â he asks.
There go those hormones again: from doldrums to delight. âSure,â I say.
We fall into step, me pushing the bike, him carrying his sketchpad. Iâm glad he doesnât have a bike too. I donât want him watching me huff and puff up Weatherby. Iâm living proof you can be slim and not exactly be fit.
âIâm meeting my mom at the library,â he says. âYou know where that is?â
I laugh. âI
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