Sunset Park

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Authors: Paul Auster
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a live-in baby nurse, Edna Smythe, a two-hundred-pound Jamaican woman of forty-six who went on working as his nanny (and later Bobby’s too) for the nextseven years. As for his mother, that role launched her career in films. It also brought her a new husband (Flaherty, the director) and a new life in Los Angeles. No, his father said when the boy asked the question, she didn’t fight for custody. She was torn apart, his father explained, quoting what she had said to him at the time, giving up Miles was the toughest, most awful decision she had ever made, but under the circumstances, there didn’t seem to be anything else she could do . In other words, his father said to him that afternoon in Abingdon Square, she ditched us. You and me both, kid. She gave us the old heave-ho, and that was that.
    But no regrets, he quickly added. No second thoughts or morbid exhumations of the past. His marriage to Mary-Lee hadn’t worked out, but that didn’t mean it could be called a failure. Time had proved that the real purpose of the two years he spent with her was not about building a sustainable marriage, it was about creating a son, and because that son was the single most important creature in the world for him, all the disappointments he’d endured with her had been worth it—no, more than worth it, absolutely necessary. Was that clear? Yes. On that point, the boy did not question what his father was saying to him. His father smiled, then put his arm around his shoulder, drew him in toward his chest, and kissed him on the top of his head. You’re the apple of my eye, he said. Never forget that.
    It was the only time they talked about his mother in this way. Both before and after that conversation fourteenyears ago, it was largely a matter of practical arrangements, scheduling phone calls, buying plane tickets to California, reminding him to send birthday cards, figuring out how to coordinate his school holidays with his mother’s acting jobs. She might have disappeared from his father’s life, but lapses and inconsistencies notwithstanding, she remained a presence in his. From the very beginning, then, he was the boy with two mothers. His real mother, Willa, who had not given birth to him, and his blood mother, Mary-Lee, who played the role of exotic stranger. The early years do not exist anymore, but going back to when he was five or six years old, he can remember flying across the country to see her, the unaccompanied minor indulged by stewardesses and pilots, sitting in the cockpit before takeoff, drinking the sweet sodas he was rarely allowed to have at home, and the big house up in the hills above Los Angeles with the hummingbirds in the garden, the red and purple flowers, the junipers and mimosas, the cool nights after warm, light-flooded days. His mother was so terribly pretty back then, the elegant, lovely blonde who was sometimes referred to as the second coming of Carroll Baker or Tuesday Weld, but more gifted than they were, more intelligent in her choice of roles, and now that he was growing up, now that it was evident to her that she would not be having any more children, she called him her little prince, her precious angel, and the same boy who was the apple of his father’s eye was anointed the peach of his mother’s heart.
    She never knew quite what to make of him, however. There were considerable amounts of goodwill, he supposed, but not much knowledge, not the kind of knowledge Willa had, and consequently he seldom felt that he was standing on solid ground with her. From one day to the next, from one hour to the next, she could turn from ebullience to distraction, from joking affability to withdrawn, irritable silence. He learned to be on his guard with her, to prepare himself for these unpredictable shifts, to savor the good moments while they lasted but not to expect them to last very long. She was usually between jobs when he visited, and that might have added to the anxiety that seemed to permeate the

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