promises Marcel a time will come when itâs wanted. It will hang in a childrenâs ward, he says. Or the foyer of Sony. Your portrait, in the palatial foyer of Sony Corporation headquarters.
Turton hugs him as he leaves the studio and whispers, âAcquittal.â He nods wisely at him as if itâs a done deal. Sometimes on the way home after these torturous sessions Marcel is surprised to find a dance step creeping back into his walk. And though the portrait is not one of his better efforts, Turton looks at it for a long time after Marcel is gone, smiling.
On the suburban fringe, a place of woodyards and used-car lots and scrap-metal recyclers, in a vast metal shed chirping under the hammer of a wind that carries the fecal stench of dairy farms, Marcel Leech is watching Turton Pym paint a fangedskunk onto the Harley Davidson of a Stinking Pariah named Larry Skunk Monk. Turton is the artist of choice of the Stinking Pariahs MC and has leased this shed in outer Pakenham in order to go about his business quietly, undiscovered by the art world.
Marcel often accompanies Turton into the wilds to this shed and his airbrush operation. Feeling comfortable in the cathedral darkness and the company of his friend, he dresses again as Michael Jackson and talks gently in his falsetto while he watches Turton work. He sits in an armchair Turton has reclaimed from a dumpster, his schoolgirl voice barely audible over the chug of the compressor.
âThe day I left school, I was fourteen, expelled. Father OâBrien gave me a ride down to the local Safeways. Said heâd talk to a man he knew. I waited in the car, watching the front of Safeways, people in and out like flies, all of them dull-faced â shopping, you know. Toothpaste, cantaloupes, Tim-damn-Tams. I started to feel real sick. Father OâBrien came outside with the man and introduced me and we shook hands and the man said because of Father OâBrien I had a job and if I worked hard and was reliable then la-de-da one day Iâd be ⦠I donât even know what. I was crying, whole place swimming in front of me, the Safeways man too. Next day when I started I couldnât even recognise which one he was to report to.â
Marcel sips his coffee. Turton is kneeling before the Harley blowing softly to dry the angry skunk he is painting.
âThey had me hauling trolleys of groceries from out back in the storage area into the store itself. âPick up any cabbage leaf you drop.â âCustomers have right of way.â That first day I started dreaming that Michael was going to come into my Safeways wearing his black Fedora, a bodyguard either side of him, three abreast down the aisle, and hold out his hand to me, and say, âCome with me, Marcel.â It was a vision. I keptit up for about a year. Him walking in there, all the shoppers with their mouths open. In the last months I really had to screw up my face and concentrate to get it to play. Till one day there I was, rice and pasta aisle, my face screwed up, trying to get Michael to appear, and this old biddy tapped me on the arm with a bag of linguini and asked me if I was all right. Told me to sit on the floor so I didnât fall. That was the last time I ever had a vision of Michael coming for me.â
Marcel, looking at Turton kneeling there, says, âYou must think Iâm pretty weird.â
Turton puckers his lips in judgement. âNo. Everyone hates Safeways.â
Two motorbikes pull up outside and their engines rev high before dying. Wal Wolverine Symonds and Larry Skunk Monk enjoy their footsteps echoing as they walk through the dark of the warehouse. Listening to the approaching steps, Marcel wraps his arms about himself.
âItâs only the Stinking Pariahs,â Turton tells him. Marcelâs eyes widen and his throat clicks.
âIâm painting this skunk for one of them.â Turton tries to calm him.
They step into the light, denim and
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