tile.
âLooks like a job for Spaceman,â I said.
âNope, thatâs not me anymore.â
Mom looked at each of us. âI donât care who does it but the trash better be out before I come back here.â With that, she left the room.
âItâs a job for Mutant Girl.â Andy pointed at me.
âOh yeah?â I grabbed Andy by the front of his sticky T-shirt. âI think itâs a job for a bratty kid. If Iâm forced to take out the trash, Iâm dumping you in it.â
âIâll tell Dad!â Andy said, playing the Big D card.
I glar ed at him hands on hips. He took the garbage out to the can without further comment. I guess there are some advantages to being the large economy size after all.
*** *
That evening, I went to the Norris house for band practice. Nothing had changed much in the ten days I was away. I still wondered what Liz had meant by a surprise, and once or twice I caught sight of Liz and Jimmy exchanging knowing smiles or looks and wondered if it had anything to do with the surprise.
We usually took a break at nine, with Liz serving a sm all snack at that time. Tonight Michael changed the routine and called for a break at eight. Liz brought out chocolate chip cookies and lemonade. We kicked back, relaxed and talked for a while. I told them how beautiful Canada was. Liz and Jimmy both agreed they would like to go there someday. I thought they meant theyâd like to go together. Mic hael seemed preoccupied and did little talking.
After we demolished the cookies Liz turned to him. âDonât you think itâs time to tell Stacy?â
âTell me what?â
âItâs no big thing. Liz tends to over-dramatize.â He actually sounded nervous.
âCome on , Michael , itâs time to let Stacy judge for herself.â Liz seemed impatient with him.
Michael returned to the piano and started playing. At the same time, Liz handed me a copy of the music. The work was entitled: Stacyâs Song , printed in the clear neat writing I had come to associate with Liz. The song Michael played was the most beautiful thing I have ever heard. It had an incredible melody and the orchestration was unique. But there wer e no words, not that the music needed any. I was so moved that when he finished playing, I just sat there, unable to applaud or articulate a word.
âYou donât like it do you?â he asked.
I was jolted into a response. âAre you kidding me? I love it! Itâs so passionate.â
âMichael wrote it especially for you,â Liz sa id. But she neednât have spoken. I understood.
âGrea t stuff,â Jimmy approved, âMike , I think it needs lyrics.â
âI want Stacy to write them,â Michael responded. âItâs her song.â
âThat makes sense,â Jimmy agreed.
âMichael , you know I canât do that,â I protested.
âSure you can. Anyway the song will wait for you until youâre ready for it,â he said. There was an air of finality in his voice that informed me of the futility of arguing.
I took the copy of the music from Liz and placed it into my handbag. âThank you. Itâs a wonderful gift. Iâll always treasure it. Iâm afraid youâll ha ve a long wait for those lyrics though.â
âThatâs all right. When thereâs something worthwhile at s take I can wait. I wrote another song while you were away. Itâs a duet. I want you to sing it with me.â
Liz h anded me another sheet of music and I looked it over carefully.
âLetâs run through it,â Michael said. âIâve been waiting for you to return before we tried this one out.â
It seemed as if they had all been waiting for me; I felt as if I belonged. Iâd come home in the true sense. We played it through once on the instruments: Michael on piano, Jimmy on drums, Liz on lead guitar and me on bass guitar. Then Michael had
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