Somewhere Beneath Those Waves

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Authors: Sarah Monette
Tags: Fantasy, Short Stories, collection
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take a walk.” I turned and started away, half-blind with tears, but whether of fury or hurt I did not know.
    I followed the voices, ignoring the path and Martin’s voice behind me. Branches caught in my hair, snagged my stockings. I skidded down into a dry creek bed and only kept upright by scraping my hands raw on a half-dead tree. The voices did not get louder or clearer, but they were closer. I could feel them, like cold, cold fingers on the back of my neck. And all the while the snow fell, soft and silent, disappearing against the black branches, the gray and brown of the dead leaves and stones. Barren, I thought again and shivered.
    Ashes, ashes, we all fall down  . . . Children’s voices, but not young children, not young enough still to enjoy that particular game. They sounded breathless, almost scared, and I thought for no reason of the wicked stepmother in the fairytale, who was forced to dance in red-hot shoes until she fell down dead.
    And then I fell myself, landing awkwardly on one knee and my already abraded palms. I thought—a panic-stricken lightning bolt—of the baby, and became as still as if I had been turned to stone, all my attention focused inward. But there was no pain, no sense of slippage or loss, none of the wrongness I was sure I would feel, and after a moment I began to breathe again.
    Cautiously, not yet ready to try to stand up, I looked around, seeing the tangle of dead tree branches and grape-vines leaning over one side of the creek bed (which was now becoming more like a ravine), the jumbled stones underfoot—it was no wonder I had fallen, and I was lucky not to have broken anything. The other bank had a decided overhang; I could see the interlaced tree roots holding it up. And near where I was crouched, there was a place where the roots had not held, and the bank had caved in, a long, ugly spill of rocks and red clay.
    And something that was neither red clay nor rock.
    I did not want to see, and yet I found myself moving closer, in a painful sideways hobble. It was the shape that caught my attention first, the smooth rounded curve that could never be the shape of a rock. And then I was crouched in front of that treacherous grade, snowflakes wet against my face and neck and the cold whisper of the voices making me shiver: ashes, ashes, we all fall down  . . . I reached out, my hand shaking, and brushed dirt away from that smooth, strangely vulnerable curve.
    I saw the truth before I saw the hollowed eye-sockets.
    I lost myself for a moment; when my mind cleared, I was digging in the bank as frenziedly as any small animal who hears the cry of a hawk. The bones were jumbled together. I found two more skulls in close proximity to the first, along with a scattering of vertebrae and small bones that I thought were probably phalanges, and then sat back on my heels, realizing I was panting, dripping with sweat, that I’d torn all my nails back to the quick, and that the appropriate thing to do was return to the house and call the police. When you find human remains on your property, you aren’t expected to exhume them yourself.
    Human remains, I thought. Ashes, ashes, cried the voices.
    And Martin knew something, something he did not want to know.
    I knew in that moment that I did not want to know, either. This secret, buried like bones, was a terrible threat, like the rot that had weakened the tree roots here until the bank collapsed. I wanted to pretend ignorance, to cover these poor bones again and return to the house, to let Martin take me to Dr. Baines and be prescribed bed-rest and pampering. But as I reached out for that first handful of loose dirt, I thought, What about our child? What would I be condemning our child to? Growing up among lies and shadows, taught to fear and never told why, lest she, too, begin to hear the cold, pale voices that whispered ’round my head. Ashes, ashes, we all fall down  . . .
    I straightened my fingers, let the dirt sift back. I touched the

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