Slaughterhouse-Five

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Authors: Kurt Vonnegut
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nestled like a spoon with the hobo on Christmas night, and he fell asleep, and he traveled in time to 1967 again—to the night he was kidnapped by a flying saucer from Tralfamadore.

    4
    B ILLY PILGRIM could not sleep on his daughter’s wedding night. He was forty-four. The wedding had taken place that afternoon in a gaily striped tent in Billy’s backyard. The stripes were orange and black.
    Billy and his wife, Valencia, nestled like spoons in their big double bed. They were jiggled by Magic Fingers. Valencia didn’t need to be jiggled to sleep. Valencia was snoring like a bandsaw. The poor woman didn’t have ovaries or a uterus any more. They had been removed by a surgeon—by one of Billy’s partners in the new Holiday Inn.
    There was a full moon.
    Billy got out of bed in the moonlight. He felt spooky and luminous, felt as though he were wrapped in cool fur that was full of static electricity.He looked down at his bare feet. They were ivory and blue.

    Billy now shuffled down his upstairs hallway, knowing he was about to be kidnapped by a flying saucer. The hallway was zebra-striped with darkness and moonlight. The moonlight came into the hallway through doorways of the empty rooms of Billy’s two children, children no more. They were gone forever. Billy was guided by dread and the lack of dread. Dread told him when to stop. Lack of it told him when to move again. He stopped.
    He went into his daughter’s room. Her drawers were dumped. Her closet was empty. Heaped in the middle of her room were all the possessions she could not take on a honeymoon. She had a Princess telephone extension all her own—on her windowsill. Its tiny night light stared at Billy. And then it rang.
    Billy answered. There was a drunk on the other end. Billy could almost smell his breath—mustard gas and roses. It was a wrong number. Billy hung up. There was a soft drink bottle on the windowsill. Its label boasted that it contained no nourishment whatsoever.

    Billy Pilgrim padded downstairs on his blue and ivory feet. He went into the kitchen, where the moonlight called his attention to a half bottle of champagne on the kitchen table, all that was left from the reception in the tent. Somebody had stoppered it again. “Drink me,” it seemed to say.
    So Billy uncorked it with his thumbs. It didn’t make a pop. The champagne was dead. So it goes.
    Billy looked at the clock on the gas stove. He had an hour to kill before the saucer came. He went into the living room, swinging the bottle like a dinner bell, turned on the television. He came slightly unstuck in time, saw the late movie backwards, then forwards again. It was a movie about American bombers in the Second World War and the gallant men who flew them. Seen backwards by Billy, the story went like this:
    American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France, a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation.
    The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers, and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans, though, and some of the bombers were in bad repair. Over France, though, German fighters came up again, made everything and everybody as good as new.

    When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating

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