it used to be green. Why, you want to buy it?â
âAny reason you didnât mention the van to Detective OâHara?â
âShe didnât ask.â
âWhere is it now?â
âTompkins Square. I scored a great space. Iâm good till Tuesday.â
âItâs Thursday.â
âSeriously?â
âWe need you to show us where itâs parked.â
âI can tell you exactly where it isâAvenue B just above Ninth on the park side. The keys are on the table.â
âNo,â says Lowry, lifting him off the couch by one arm. âYouâre coming.â
Lowry stuffs him in the back of his car, and OâHara and Krekorian follow them to Tompkins Square, where McLain walks Lowry to a sign reading NO PARKING TUESDAY AND FRIDAY , 9:30 A.M . TO 1:30 P.M .
âI parked it right next to this sign.â
âThen where the fuck is it?â
âSomeone stole it.â
âNo one steals a van worth forty-five dollars.â
âSomeone did.â
Lowry shoves McLain back in his car, and OâHara and Krekorian follow them to 19½ Pitt Street, where Lowrybrings McLain up to the detective room and deposits him in the closet-sized box used for interrogations. To watch, OâHara has to stand unpleasantly close to Grimes as they take turns staring through the portal-sized window in the door.
âWe know you killed her, David,â says Lowry.
âThatâs not true.â
âYou show up at her apartment, and three weeks later sheâs dead. Youâre the one who reports her missing, and best of all, weâve got video of your van at six a.m. Thanksgiving morning, pulling away from the building in which she had just been tortured and killed. Thatâs three too many coincidences.â
âWhy would I kill her? I loved her. She was my friend.â
âBut she didnât love you, David.â
âThatâs probably true.â
âProbably? We spoke to her friends. None of them had heard of you. You had been here three weeks, and they didnât know you exist. Francesca was embarrassed by you.â
âMaybe a little.â
âWe know that she thought you were a loser. I bet she was afraid of you too. The last night of her life, she stayed at a bar on Rivington drinking alone till last call, anything not to go back to her apartment and you. When she left that night, she wanted you gone by the time she got back, didnât she? Is that why you killed her? Because she wanted you out of her life?â
Lowry is so tall and wide that most of the time, OâHara can only hear McLain. Over the next three hours, he never asksfor a lawyer or stops pleading his innocence. He doesnât even ask to be allowed to sleep. His only request is coffee.
At one point, however, he lifts himself a couple of inches in his chair and tries to look over Lowryâs shoulder at the door. âI need to talk to OâHara,â he says, on the verge of tears.
âYou canât,â says Lowry. âAnd by the way, OâHara thinks youâre as guilty as I do. She has from the beginning. Sheâs just been playing you.â
âI need to talk to OâHara,â he repeats. On the far side of the door, Grimes stares disdainfully at OâHara and puts two fingers together. âYour boyfriendâs about this close to giving it up.â
âBullshit,â says OâHara.
âWhat was that?â
âBullfuckingshit.â
But when OâHara peers back into the box and catches a glimpse of McLainâs scared face, his features blur. For a second OâHara isnât sure if sheâs looking at McLain or Axl.
16
At two in the morning, unable to watch any longer, OâHara slips out of the precinct house and walks north up Pitt Street. She passes the shopping carts belonging to the skells who reside beneath the Williamsburg Bridge and Samuel Gompers House, the project that Dolores
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