his gaze away from the house to find her staring at him, a curious expression on her face.
âNot what you were expecting?â she said. âThereâs been barely enough money to keep it from falling to pieces entirely. I donât know how much longer I can keep it together.â
âYou donât strike me as someone who admits defeat.â He was amazed at how calm his voice sounded.
âIâm a realist, Mr. Coltrane. Not a fool.â
âJust Coltrane.â And if she was a realist then he was an altar boy. She was as idealistic and starry-eyed as anyone heâd ever met, at least when it came to what she loved. Which was old houses in general, and this old house in particular. âLetâs go inside.â
He was half expecting her to refuse, but after a moment she nodded, leading the way in. It was just as wellâhe wasnât about to leave without finally going through the place. Not since that cold wave of shock had washed over him when he first looked up at the house.
Heâd lived here. No one had ever told himâas far as heâd known heâd spent the first thirteen years of his life in Indiana. Heâd simply assumed that picture had been taken before he was born, before sheâd met his father.
Wrong. Heâd lived here, and he had no conscious memory of it. Just a weird, certain knowledge that this place had once, long, long ago, been his home.
The smell of the place was so damned familiar, another blow. He was glad Jillyâs back was to himâhe wasnât certain he could manage to keep his expression imperturbable. He knew the hallway, knew the long, curving staircase, and he followed her wordlessly as she cataloged the details of the house in a rapid, bored voice that slowly, reluctantly turned to warmth and fascination. She loved this house, he thought, loved it with a loverâs passion. She would be an easy woman to useâher heart was on her sleeve. She loved the house, her brother and her sister, and all heâd have to do would be to apply a little pressure on one of those three things to get her to do what he wanted.
They wandered through drawing rooms, dining rooms, salons and breakfast nooks. Whoever had built this place had spared no expense, and the thing rambled for what seemed like acres. It was sparsely furnished, the few shabby pieces looking like lost remnants of a once grander time. âBrenda de Lorillard hired a set designer to decorate this place,â Jilly was saying, âand unfortunately she picked someone whoâd done a lot of work for Cecil B. DeMille. Some of it looks more like an opera set than a house.â
She was rightâit was gloriously tawdry, from the Italianate wallpaper to the gilt-covered furniture. The huge kitchen was a monument to impracticability, with not even a dishwasher in sight. There seemed to be no air-conditioning in the house, but the place was comfortably cool, anyway. He wondered if that was because of the supposed ghosts.
âWhat about upstairs?â he said, when her chatter had finally wound down.
âBedrooms,â she said.
âThatâs logical. Is that where it happened?â
She looked startled. âWhere what happened?â
âThe murder-suicide? Or does this place hold other scandals, as well?â He knew the answer to that, but he wasnât sure whether she did.
âThe master bedroom. Trust me, thereâs nothing to see. All the blood was cleaned up.â
âShow me, anyway.â
âNo. Itâs my bedroom now and I donât like strange men traipsing through it.â
âWhy?â
âI like my privacy.â
âAnd you donât have any problem sleeping in a murder scene? A haunted one?â
âI told you, I donât believe in ghosts,â she said.
âDonât believe in them? Or just donât see them?â
She glowered at him. She had a very impressive glower. âIâm
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