Hardware.
A bell over the door jingled, and Lucas stopped for a moment, waiting for his eyes to adjust to the gloom. Earl May came out of the back room wearing a leather apron and flashed a smile. Lucas walked back and watched the smile fade.
“I was about to say, ‘Good to see you,’ but I guess you’re here to ask questions about Bluebird and that killing in New York,” May said. He turned his head and yelled into the back, “Hey, Betty, it’s Lucas Davenport.”
Betty May stuck her head through the curtain between the back room and the store. “Lucas, it’s been a while,” she said. She had a round face, touched by old acne scars, and a husky voice that might have sung the blues.
“There’s not much around about Bluebird,” said Earl. He looked at his wife. “He’s asking about the killings.”
“That’s what everybody tells me,” Lucas said. Earl was standing with his arms crossed. It was a defensive position, a push-off stance, one that Lucas had not seen before withthe Mays. Behind her husband, Betty unconsciously took the same position.
“You’ll have trouble dealing with the community on this one,” she said. “Benton was bad, Cuervo was worse. Cuervo was so bad that when his wife got down to his office, after the police called her, she was smiling.”
“But what about this guy in New York, Andretti?” Lucas asked. “What the hell did he do?”
“Andretti. The liberal with good accountants,” Earl snorted. “He called himself a realist. He said there were people that you have to write off. He said that it made no difference whether you threw money at the underclass or just let it get along. He said the underclass was a perpetual drag on the people who work.”
“Yeah?” said Lucas.
“A lot of people want to hear that,” Earl continued. “And he might even be right about some people—winos and junkies. But there’s one big question he doesn’t answer. What about the kids? That’s the question. You’re seeing a genocide. The victims aren’t the welfare queens. The victims are the kids.”
“You can’t think this is right, these people being killed,” Lucas argued.
Earl shook his head. “People die all the time. Now some folks are dying who were hurting the Indian people. That’s too bad for them and it’s a crime, but I can’t get too upset about it.”
“How about you, Betty?” Lucas asked. He turned to the woman, disturbed. “Do you feel the same way?”
“Yeah, I do, Lucas,” she said.
Lucas peered at them for a moment, studying Earl’s face, then Betty’s. They were the best people he knew. What they thought, a lot of people would think. Lucas shook his head, rapped the counter with his knuckles and said, “Shit.”
Bluebird’s funeral was . . . Lucas had to search for the right word. He finally settled on peculiar. Too many of the gathered Indians were shaking hands, with quick grins that just as quickly turned somber.
And there were too many Indians for one guy who wasn’tthat well known. After the coffin had been lowered into the ground, and the last prayers said, they gathered in groups and clusters, twos and threes, talking. An air of suppressed celebration, Lucas thought. Somebody had lashed out. Bluebird had paid, but there were others still at it, taking down the assholes. Lucas watched the crowd, searching for faces he knew, people he might tap later.
Riverwood Cemetery was a working-class graveyard in a working-class neighborhood. Bluebird was buried on a south-facing slope under an ash tree. His grave would look up at the sun, even in winter. Lucas stood on a small rise, next to one of the city’s increasingly rare elms, thirty yards from the gravesite. Directly opposite him, across the street from the cemetery and a hundred feet from the grave, were more watchers. The catsup-colored Chevy van fit into the neighborhood like a perfect puzzle piece. In the back, two cops made movies through the dark windows.
Identifying
Kristin Vayden
Ed Gorman
Margaret Daley
Kim Newman
Vivian Arend
Janet Dailey
Nick Oldham
Frank Tuttle
Robert Swartwood
Devin Carter