gently, “not even to be rid of the pain.”
He took up another letter, his pen scratching against the page. The tight look of concentration returned to his face, along with a small crease over the bridge of his nose. I imitated the angle at which he held the quill, the length of time that elapsed before he dipped it in the ink. It was indeed easier to write when you didn’t hold the pen in a death grip. I poised the pen over the paper and prepared to write more.
Today was the feast of All Souls, the traditional day to remember the dead. Everyone in the house was remarking upon the thick frost that iced the leaves in the garden. Tomorrow would be even colder, Pierre promised.
2 November 1590 frost
Measured for shoes and gloves. Françoise sewing.
Françoise was making me a cloak to keep the chill away, and a warm suit of clothes for the wintry weather ahead. She had been in the attics all morning, sorting through Louisa de Clermont’s abandoned wardrobe. Matthew’s sister’s gowns were sixty years out of date, with their square necklines and bell-shaped sleeves, but Françoise was altering them to better fit what Walter and George insisted was the current style as well as my less statuesque frame. She wasn’t pleased to be ripping apart the seams of one particularly splendid black-and-silver garment, but Matthew had insisted. With the School of Night in residence, I needed formal clothes as well as more practical outfits.
“But Lady Louisa was wed in that gown, my lord,” Françoise protested. “Yes, to an eighty-five-year-old with no living offspring, a bad heart, and numerous profitable estates. I believe the thing has more than repaid the family’s investment in it,” Matthew replied. “It will do for Diana until you can make her something better.”
My book couldn’t refer to that conversation, of course. Instead I’d chosen all my words carefully so that they would mean nothing to anyone else even though they conjured vivid images of particular people, sounds, and conversations for me. If this book survived, a future reader would find these tiny snippets of my life sterile and dry. Historians pored over documents like this, hoping in vain to see the rich, complex life hidden behind the simple lines of text.
Matthew swore under his breath. I was not the only one in this house hiding something.
My husband received many letters today and gave me this booke to keep my memories.
As I lifted my pen to replenish its ink, Henry and Tom entered the room looking for Matthew. My third eye blinked open, surprising me with sudden awareness. Since we had arrived, my other nascent powers—witchfire, witchwater, and witchwind—had been oddly absent. With the unexpected extra perception offered by my witch’s third eye, I could discern not only the black-red intensity of the atmosphere around Matthew but also Tom’s silvery light and Henry’s barely perceptible green-black shimmer, each as individual as a fingerprint.
Thinking back on the threads of blue and amber that I’d seen in the corner of the Old Lodge, I wondered what the disappearance of some powers and the emergence of others might signify. There had been the episode this morning, too. . . .
Something in the corner had caught my eye, another glimmer of amber shot through with hints of blue. There was an echo, something so quiet it was more felt than heard. When I’d turned my head to locate its source, the sensation faded. Strands of color and light pulsed in my peripheral vision, as if time were beckoning me to return home.
Ever since my first timewalk in Madison, when I’d traveled a brief span of minutes, I’d thought of time as a substance made of threads of light and color. With enough concentration you could focus on a single thread and follow it to its source. Now, after walking through several centuries, I knew that apparent simplicity masked the knots of possibility that tied an unimaginable number of pasts to a million presents and
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